Science Fiction and Fantasy Writers of America

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SFWA

Archive for December, 2009

Quick Updates for 2009-12-19

Saturday, December 19th, 2009

Quick Updates -- istock

Resources

Member News

  • Welcome to SFWA's newest Associate member, Lou Berger!
  • Welcome to SFWA's newest Affiliate member Allen Lewis!
  • Welcome to SFWA's newest Affiliate member Joseph Adegboyega-Edun!

Quick Updates for 2009-12-18

Friday, December 18th, 2009

  • Welcome to SFWA's newest Associate member, Lou Berger! #
  • RT @victoriastrauss: Thoughtful article from author Jason Pinter on social networking & the authorial mystique http://tinyurl.com/y8u3kkw #
  • RT @victoriastrauss: American Library Assn urges Justice Dept. 2 "actively supervise" Google Book Settlement http://tinyurl.com/y8swyzq #
  • RT @victoriastrauss: French court finds Google guilty of copyright violation, orders it to pay damages http://tinyurl.com/ye63jw7 #

Quick Updates for 2009-12-18

Friday, December 18th, 2009

  • Welcome to SFWA's newest Associate member, Lou Berger! #
  • RT @victoriastrauss: Thoughtful article from author Jason Pinter on social networking & the authorial mystique http://tinyurl.com/y8u3kkw #
  • RT @victoriastrauss: American Library Assn urges Justice Dept. 2 "actively supervise" Google Book Settlement http://tinyurl.com/y8swyzq #
  • RT @victoriastrauss: French court finds Google guilty of copyright violation, orders it to pay damages http://tinyurl.com/ye63jw7 #

“Teddy Bears and Tea Parties” by S. Boyd Taylor

Friday, December 18th, 2009

Teddy Bears and Tea Parties by S. Boyd Taylor
July 2009, ChiZine

Quick Updates for 2009-12-17

Thursday, December 17th, 2009

Quick Updates -- istock

Resources

  • Looking for a reprint market? SFWA member Jason Sanford talks to Russian SF magazine ESLI.
  • And in summary: Writers, responding to negative reviews will never End Well. So just Don’t Do It.

Member News

Link: Why Are Europeans White?

Thursday, December 17th, 2009

When working on the world-building for your secondary fantasy world, here’s an interesting thought to chew on. Did you know that Northern Europeans are uniquely depigmented?

UV map“White,” of course, is a a social designation. The question really is, “Why are northern Europeans depigmented?” Here is a map of human skin tone. The natives of northern Europe are oddly light-skinned. They are paler than anyone else on earth.

Most people know that it has something to do with sunlight, UV, latitude, and vitamin D. Here is a map of solar UV at the surface taken from satellite. It matches the skin-tone map everywhere but Europe.

Read the entire article as it traces development back step by step to figure out why Northern Europe is unique in its depigmentation.

The UK’s Society of Authors Issues Guidance on Ebooks

Thursday, December 17th, 2009

Posted by Victoria Strauss for Writer Beware

Writer BewareGiven Random House’s recent claim on electronic rights in older contracts, Macmillan’s recent announcement that it will be issuing “enhanced ebooks” simultaneously with some of its hardcover releases (and charging even more than for the hardcovers), and the thorny rights and payment issues raised by the rapid expansion of the ebook market, this seems an especially relevant piece of news: the UK’s Society of Authors has issued guidelines on ebook licensing and royalties for authors and agents.

The full text of the statement (which I found via the excellent TeleRead blog) can be seen here. The guidelines are below, and seem to me to make a great deal of sense.

1. Consider granting publishers a licence for 10 or 20 years, rather than for the full duration of copyright;

2. Limit any grant of ebook rights to the verbatim text. Wider electronic rights (e.g. for enhanced ebooks) should be negotiated separately and only if there is a definite intention to exploit the rights.

3. Royalties on ebooks should be much higher than they are. Until the economics and scale of the market become clearer, we consider that publishers should share ebook income equally with their authors. In any event we particularly encourage authors to try to negotiate steep increases to their royalties at agreed sales thresholds (as publishers recoup their set up costs). When a book has become well-established, it may be reasonable for the author’s share to rise to as much as 75%. On other forms of electronic access – e.g. rental and pay-per-view – authors should receive at least 50%, preferably nearer 85%, of the publisher’s receipts.

In suggesting these royalties we have taken into account that:

(a) publishers need to cover their overheads and make a profit; but

(b) the direct costs of originating, producing and keeping an ebook ‘in print’ are low (e.g. no printing costs); and

(c) the cost of making an ebook available through a third party distributor such as Amazon is minimal. Publishers’ warehousing and distribution costs are eliminated, as are losses from dealing with returns and unsold stock.

4. Authors should have the right to initiate a review of ebook royalty rates every 2 years and have the right to insist that royalties be increased to match those then prevailing in the trade.

5. When enhanced ebooks are developed, authors should have the right to approve – and be involved in – adaptations, abridgements, and dramatizations, as well as decisions on musical, interactive or other embellishments.

6. Contracts must allow authors to regain rights, if they so choose, once sales have all but ceased. When the work is POD and / or ebook only authors should be able to terminate their publishing contract on one month’s notice if sales in the home market in traditional and/or electronic form fall below an agreed level (or if the author’s income falls below an agreed amount) over 12 months, once the advance has been earned or more than, say, three years have passed since publication, whichever is the sooner.

Quick Updates for 2009-12-16

Wednesday, December 16th, 2009

Conventions and writing, or Schmoozing 101

Wednesday, December 16th, 2009

by Mary Robinette Kowal

Let me talk about conventions and their relationship to my writing life. Everyone will have very different experiences, depending on their personality. Here’s how it works for me.

I primarily go to conventions for three reasons.

  1. To see other people in the field whose company I enjoy.
  2. Improve craft/business sense.
  3. To be “visible.”


1) To see other people in the field whose company I enjoy.

I relish the social aspect of SF. There are people that I just plain like and a convention is like old home week. It’s fun! I like you guys.

2) Improve craft/business sense.
A convention with a really good list of panels is going to appeal to me more than one in which I only hang out at the bar (though I love that, too). I want to know what’s happening in the field and to think about things that aren’t just products of my own brain banging against the inside of my skull. Even if I only learn one new thing, that’s a thing I didn’t know before.

3) To be “visible”
I’m a new writer, so I’m building my “brand.” I’m not going to get that many new readers at a convention, but the people at cons are the ones who vote on things and frankly, nominations can be leveraged ((Nominations and awards do not automatically mean a reader increase. You have to know how to work them, but the power of narrative on career is a different topic.)) into getting more readers which means…that cons are filled with a good target audience. Cons also tend to have editors at them and those are good people to know.

Now, I’ll be frank about how this works, because a lot of people don’t understand how to do effective schmoozing. Yes, yes, I’m aware that admitting this happens is distasteful. But, I’m going to talk about how to schmooze, anyway.

Schmoozing 101

These are all ideas to employ but none of them are hard and fast rules. Schmoozing is all about being charming and that will vary somewhat depending on the situation. So, here are the basic ideas behind successful schmoozing. (more…)

Quick Updates for 2009-12-15

Tuesday, December 15th, 2009

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Resources

Industry News