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M.K. Hobson (www.demimonde.com) has sold over 30 stories. Her novel THE NATIVE STAR is coming in 2010 from Bantam Spectra.
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Nebula Awards Weekend
The Forty-Seventh Nebula Awards Weekend will be held Thursday through Sunday, May 17 to May 20, 2012 at the Hyatt Regency Crystal City in Arlington, Virginia, near Reagan National Airport.
We honor Connie Willis as our Grand Master!
To register, click on “Registration” in the menu to the immediate left. Then scroll down to the bottom of the page and click on the “Register” button.
Tours, workshops and panels are available for registered attendees (the number of people who can be accommodated on the tours and workshops is limited.) Active and Associate SFWA members may nominate works, until February 15th, for the awards to be presented at the May 19th Nebula Awards Weekend Banquet. Hour long interviews and readings will be recorded by Jim Freund for his Hour of the Wolf radio show broadcast on WBAI (99.5FM) in New York City.
Jon Williams is our Toastmaster (he will also conduct a half-day Writers Workshop on Friday morning.) Mike Fincke is our Keynote Speaker.
The Mass Autographing Session on Friday, May 18th will be followed by a reception to honor the nominees and other honorees.
You don’t have to be a nominee, a member of SFWA, or even a writer to participate in the weekend. Registration for the 2012 Nebula Awards Weekend is open now. The cost for the Nebula Awards Banquet is $75.00 per person. The cost to register is $50.00 for a SFWA Member and $60.00 for a non-SFWA Member until February 29, 2012. Rates for registration will be higher as the date of the event draws closer.
Results from the 2010 Nebula Awards (presented 2011).
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Monday, February 14th, 2011
After reading, Kij Johnson‘s Nebula Award-Winning story, “Spar,” do you find yourself longing for more tentacle action? Sure there’s H.P. Lovecraft, H.G. Wells, Jules Verne, C.L. Moore, and hundreds of other writers who’ve had literary dalliances with calamari, but this Valentine’s Day, we invite you to consider the wellspring. It’s time to put on some Barry White, take a bubble bath, and cuddle with your favorite cuttlefish. -Ed.
•••
Tentacle Sex
by PZ Myers
Doesn’t everyone just love cephalopods? I find them to be a fascinating example of a body plan radically different from our own, the closest thing to a truly alien large metazoan on our planet. I try to keep my eyes open for new papers on cephalopod development, but unfortunately, they are rather difficult to study and data is sadly thin and tantalizing.
I just ran across a pair of papers by Jantzen and Havenhand (2003a, b) on squid mating. That’s close enough to development for me!
First, let me explain a few general features of squid sex. Males produce elaborate spermatophores, illustrated to the left, which are complex packages of sperm. Huge numbers of sperm are stored centrally (1010 sperm, in some species), enclosed in a discharge mechanism that is triggered osmotically or mechanically—basically, it’s like those joke peanut cans that fling out a springy surprise when opened. Squid sex is a process of passing one of these clever novelty items to a female, where it will then go sproing when she lays some eggs.
Male squid do not have a penis. Instead, they have a pouch that opens into the mantle cavity, called Needham’s sac, where spermatophores are stored, and they have a specially modified tentacle, the hectocotylus, which is used to reach into the sac, scoop out a spermatophore, and and place it inside the buccal or mantle cavity of the female. In some cephalopods, the end of the hectocotylus snaps off and remains imbedded in the female.
Simple, hey? Of course, in the real world, it becomes much trickier, more exotic, and beautiful.
Tags: Kij Johnson, PZ Myers
Posted in SFWA Blog | 1 Comment »
Monday, February 14th, 2011
Posted by Victoria Strauss for Writer BewareAuthors, publishers and Google have filed a stipulation asking the Court to extend the deadline for filing claims to receive an upfront payment -- a "Cash Payment" -- in the Google Book Search settlement. The current deadline under the settlement, which is being reviewed by the court, is March 31, 2011. If the extension is granted, authors and publishers will have until one year after the Court approves the settlement to make a claim for a Cash Payment.
Under the settlement, only those rightsholders whose works were scanned by Google on or before May 5, 2009, are entitled to claim a Cash Payment. Payment for the unauthorized digitization of entire works will be at least $60. (This payment is separate from the settlement's revenue-sharing arrangements.)
If you are not claiming a Cash Payment, you may file at any time.
Follow the filing instructions here: Google Book Search Claims.
Tags: Writer Beware
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Monday, February 14th, 2011
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Sunday, February 13th, 2011

Member News
Tags: Brit Mandelo, Eugene Myers, Jack Skillingstead, Jennifer Jackson, Karen Azinger, Nancy Kress, Steve Feldberg, Tony Pi, twitter, yasmine galenorn
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Saturday, February 12th, 2011
by John D. Brown
The following is part of a continuing series. If you wish to start at the beginning, head to It’s All About The Reader.
In my last two posts, I identified a number of things that make people and, therefore, characters interesting to us. In this post, I’ll present the last two draws and introduce the next condition for reader suspense.
Surprise
We are intrigued by characters who play against type, even if it’s only a little. So maybe you have a plumber who quotes Shakespeare or William Blake to his customers. Maybe you have a mixed martial arts fighter who is a woman with three kids. Maybe the hero hates dogs. Maybe he’s a bee keeper. Maybe the villain has a fear of spiders or tends lovingly to his daughter. Maybe the cutthroat millionaire businessman secretly goes to poor neighborhoods to find folks to help. Maybe the bearded and tattooed biker carries around a Book of Mormon and reads it during quiet moments. Maybe, like Michael in the series Burn Notice, the super spy loves yogurt. Anything that runs against, or just doesn’t fit, our expectations of the type. This includes motives as well as external character tags.
Cast Variety
Finally, because we almost always deal with a cast of people in our stories, we need to make sure they’re interesting as a group. You will increase reader interest if you give each character some memorable and interesting trait, but you’ll get the most bang for the buck if you make those traits different.
For example, let’s say you have a team of characters who need to go behind enemy lines to find and dismantle a radar station. If every one of those team members is exactly the same–they’re all wise-cracking blond farm boys from Oklahoma–we might find it funny and odd at first, but it will soon lose its appeal as they all say and do the same things.
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Tags: John D. Brown
Posted in Advice for New Writers, Information Center, SFWA Blog, The Craft of Writing, Tips for Beginners, Writing Technique | 6 Comments »
Saturday, February 12th, 2011
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Friday, February 11th, 2011
Posted by Victoria Strauss for Writer BewareTags: Writer Beware
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Friday, February 11th, 2011
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Thursday, February 10th, 2011
by Mike Brotherton
Hard science fiction is science fiction without mistakes in the science, at least not very big ones. You can still be very speculative and far out, but you can’t violate what we know about how the universe works without spoiling the suspension of disbelief. While there’s a lot we don’t know, there’s wikipedias full of what we do, and it can be intimidating even if you’ve got a PhD in a scientific subject. I’m a professional astronomer, but there’s plenty of room for me to screw up when it comes to geology, biology, or any of another half dozen subjects.
I would like to share ten resources, more or less, that I think are really terrific when it comes to getting the science right. These will be biased toward my areas of expertise, and will span books, websites, and software. Old-fashioned books first.
1. Mallove, Eugene F., and Matloff, Gregory L. The Starflight Handbook: A Pioneer’s Guide to Interstellar Travel, Wiley Science Editions. New York: Wiley, 1989. This book is one-stop shopping for nearly every serious idea put forward in the last few decades, although it is not 100% complete (e.g., the Alcubierre Drive is missing). The relativistic rocket equation is a bonus. Maybe you could search dozens of wiki pages for the same information, but this is a book worth having on the shelf.
2. Stine, G. Harry. Living in Space: A Handbook for Work & Exploration Beyond the Earth’s Atmosphere. 1st ed. New York: M. Evans and Co., 1997. This is the book I go to when I’m worrying about what kind of accelerations humans can survive. Or radiation doses. Or any of a bunch of dangerous things my characters might encounter in space. (Also worth checking out: Mullane, R. Mike. Do Your Ears Pop In Space and 500 Other Surprising Questions About Space Travel. Wiley, 1997.)
3. Sheffield, Charles. Borderlands of Science. This book is a readable summary of a number of areas of science: physics, astronomy, chemistry, biology, etc., with an emphasis on topics most likely to concern a science fiction writer. The solar system and space flight both get long chapters to themselves, for example. Chaos theory gets a big chapter too — bigger than it deserves probably — but is interesting enough. This book is a handy starting place for an sf writer, but doesn’t really go into enough detail to do more than spark a story. The bibliography is therefore unfortunately thin (but at least there is one!).
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Tags: Mike Brotherton
Posted in Advice for New Writers, Information Center, SFWA Blog, The Craft of Writing, Tips for Beginners | 3 Comments »
Wednesday, February 9th, 2011
The Washington Science Fiction Association has established a literary award to honor the work done by small presses in promoting and preserving science fiction. The award, now in its fifth year, is given annually for short fiction works (17,500 words or fewer) of imaginative literature (e.g., science fiction, fantasy, horror, speculative fiction or like literature) published by a small press. Stories may be nominated by SF authors and small press publishers. Details of the nomination process and contact information can be found at www.wsfasmallpressaward.org. If you have any question email: admin (at) wsfasmallpressaward (dot) org.
Tags: contests, WSFA.org
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