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Lawrence C. Connolly’s books include VEINS, VISIONS, and THIS WAY TO EGRESS. More at <www.lawrencecconnolly.com>.
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Nebula Awards Weekend
The Forty-Seventh Nebula Awards Weekend will be held Thursday through Sunday, May 17 to May 20, 2012 at the Hyatt Regency Crystal City in Arlington, Virginia, near Reagan National Airport.
We honor Connie Willis as our Grand Master!
To register, click on “Registration” in the menu to the immediate left. Then scroll down to the bottom of the page and click on the “Register” button.
Tours, workshops and panels are available for registered attendees (the number of people who can be accommodated on the tours and workshops is limited.) Active and Associate SFWA members may nominate works, until February 15th, for the awards to be presented at the May 19th Nebula Awards Weekend Banquet. Hour long interviews and readings will be recorded by Jim Freund for his Hour of the Wolf radio show broadcast on WBAI (99.5FM) in New York City.
Jon Williams is our Toastmaster (he will also conduct a half-day Writers Workshop on Friday morning.) Mike Fincke is our Keynote Speaker.
The Mass Autographing Session on Friday, May 18th will be followed by a reception to honor the nominees and other honorees.
You don’t have to be a nominee, a member of SFWA, or even a writer to participate in the weekend. Registration for the 2012 Nebula Awards Weekend is open now. The cost for the Nebula Awards Banquet is $75.00 per person. The cost to register is $50.00 for a SFWA Member and $60.00 for a non-SFWA Member until February 29, 2012. Rates for registration will be higher as the date of the event draws closer.
Results from the 2010 Nebula Awards (presented 2011).
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Wednesday, February 9th, 2011
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Wednesday, February 9th, 2011

Member News
Tags: Allan Cole, Alyxandra Harvey, Amy Treadwell, Brad Beaulieu, David Levine, Gene Twaronite, John Cleaver, Kate Milford, Lena Coakley, Marcy Rockwell, Rosemary Jones, Sarah Monette, Silvia Moreno-Garcia, twitter, Vera Nazarian
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Tuesday, February 8th, 2011
Posted by Victoria Strauss for Writer BewareTags: Writer Beware
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Tuesday, February 8th, 2011
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Tuesday, February 8th, 2011
British author Brian Jacques (b.June 15, 1939) died on February 5, 2011 following emergency surgery for an aortic aneurysm. Jacques published his juvenile novel Redwall, about a collection of anthropomorphic mice, badgers, voles, and other creatures, in 1986. Jacques followed Redwall with an additional twenty volumes in the series, including The Rogue Crew, which is scheduled to be released later this year. The series was adapted into a popular animated series as well as an opera. In addition to the Redwall series, Jacques also wrote three volumes in his Flying Dutchman series, beginning in 2001. Jacques also published two collections of short stories and a couple of picture books.
Jacques grew up near the Liverpool docks and dropped out of school when he was fifteen to became a merchant seaman. Other careers, as a policeman and dockworker followed. In the 1960s, he formed a band in Liverpool with his brothers. Jacques’s interest in writing started at a young age and when he was ten, he was caned by a teacher who couldn’t believe that he could write the story he had turned in. He hosted a radio show about authorial concerns for BBC Radio Merseyside for more than 20 years.
Tags: Brian Jacques
Posted in In Memoriam, News, SFWA Blog | 2 Comments »
Monday, February 7th, 2011
by Nancy Fulda
The Renaissance sculptor Michelangelo once said: “I saw the angel in the marble and carved until I set him free.”
He also said: “The marble not yet carved can hold the form of every thought the greatest artist has.”
In this, I think, sculpting is not so very different than writing. As authors, we stand like Michelangelo before the lump of our incompleted stories, stupefied not by lack of ideas, but by their plethora. An unfinished story is full of potential. It might become anything: an action-adventure saga, a conflicted character story, an incisive satire.
It is this potential that dazzles us. And it is this same potential which so often causes us to stumble.
A story is defined, not so much by what it is, but by what it is not. Faced with the rough surface of a draft that has not yet been freed from the stone, the writer might feel tempted to do it all: concentrate on character and plot and symbolism and prose style. He is afraid to cut away too much, and so his chisel strokes are awkward, and hesitant, and ultimately unsatisfactory. The angel within the stone remains buried beneath a jumble of beautiful clutter. (more…)
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Sunday, February 6th, 2011
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Saturday, February 5th, 2011
by John D. Brown
The following is part of a continuing series. If you wish to start at the beginning, head to It’s All About The Reader.
In my last post, I raised the idea that readers will be far more invested in your characters, and therefore feel more suspense, if the characters not only face troubles and are deserving, but if they are also interesting in their own right. In this post, I’ll continue listing the types of things that make a character interesting.
Wish-fulfillment
We cannot help but be interested in characters who are, do, or have things we want. In fact, this is one of the main draws of fiction–experiencing something wonderful or cool, even if it’s vicariously. Phyllis Pianka states this so well in How to Write Romances:
“You cannot write an engrossing romance novel until you create a heroine the reader *wants to* identify with and a hero the reader can fall in love with . . . they are idealized; the heroine is someone women would like to emulate: nicer, prettier, thinner, more intelligent, though not necessarily all of those things. She will have a flaw but it will be a minor one . . . the hero is the ideal lover and husband and father . . . Above all, he must be the man with whom every woman would like to fall in love [bold font added for emphasis]” (30).
A lead you’d like to be like in some way. A hero you could fall in love with. Or at least feel attracted to. Remember, readers are hoping and fearing for the characters. How can readers hope for a woman to enter a committed relationship if the readers feel the man is completely unattractive, physically or emotionally? How can we males root for the man if we feel the same about the female character? It doesn’t mean they have to be perfect. Wish-fulfillment, like many things in writing, slides along a scale. But we’ll be more interested as readers the more we can participate in the same attraction and desire. (more…)
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Posted in Advice for New Writers, Information Center, SFWA Blog, The Craft of Writing, Writing Technique | 2 Comments »
Saturday, February 5th, 2011
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Friday, February 4th, 2011
The BBC World Service and the British Council have announced their 12th Annual Playwriting Competition. The competition is open to all writers on any subject. Two winners will each receive a prize of £2,500 and a trip to London to see their play recorded. Entry forms can be found at their website.
PRESS RELEASE:
London Autumn 2010: BBC World Service, in partnership with the British Council, launches the 12th Annual Radio Playwriting Competition, which invites writers from around the world to submit a one-hour radio play on any subject.
Two first prizes will be awarded: one for writers for whom English is a first language, and a second, for those with English as a second language. The winning entries will be broadcast on BBC World Service in autumn 2011. The competition is for writers outside the UK and the two winners will each receive a prize of £2,500 and a trip to London to see their play recorded. (more…)
Tags: BBC, Playwriting, Radio
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