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Archive for May, 2011

Contract Red Flag: Net Profit Royalty Clauses

Tuesday, May 31st, 2011

Posted by Victoria Strauss for Writer Beware

In the comments thread of a previous post, a reader asked whether there is a difference between royalties paid on net income and royalties paid on net profit. There most definitely is a difference--and, depending on the circumstances, royalties paid on net profit is a major red flag.

LIST PRICE

The ideal royalty is paid on list or cover price--the actual retail price of the book. So if your list price is $20, and your royalty is 10%, you'll get $2 for every book sold. For big trade publishers, including larger independents, royalties paid on list price is standard for domestic sales.

NET INCOME

Smaller publishers, on the other hand, are more likely to pay royalties on net income or net sales proceeds--the money they actually receive for the book (list price less any discounts charged by retailers or wholesalers). This means your royalties will vary, depending on where your book is sold--but they will vary in predictable ways. Again using a $20 book and a 10% royalty as an example, sales at full list price from the publisher's website would generate a royalty of $2; sales to physical retailers at a discount of 40% would generate a royalty of $1.20; and sales to wholesalers at a discount of 50% would generate a royalty of $1.
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Guest Post: Proprioception

Tuesday, May 31st, 2011

by Nnedi Okorafor

Nnedi OkoraforI’ve always been interested in people labeled as “abnormal” or “abomination”.

In my novel Zahrah the Windseeker, Zahrah is born with the “curse” of vine-laden dada hair. In The Shadow Speaker, Ejii is a “freakish” product of nuclear fallout and peace bombs. Who Fears Death’s main character is an “ugly half-breed” with skin and coarse wooly hair the color of desert sand. In my recent short story, “The Book of Phoenix” (which is linked to Who Fears Death), Phoenix was created in a lab. She is two years old but looks and feels 40 (she even has hot flashes!) and calls herself as an “abomination”.

I continue to explore physical abnormality in my two latest stories. “Wahala” is a short story published in the Life on Mars anthology and set in the world of The Shadow Speaker. Its main character Fisayo is a product of the nuclear apocalypse like Ejii. Fisayo is venturing across the Sahara Desert because her parents think she should not have been born. In my novel Akata Witch, Sunny is an American-born albino Nigerian girl who learns that she’s also a witch.
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Key Conditions for Suspense:
Part 24 – Patterns for Struggle Elements 3 – 5

Sunday, May 29th, 2011

by John D. Brown

JohnThe following is part of a continuing series. If you wish to start at the beginning, head to It’s All About The Reader.

In my last post, I discussed options for trouble progression. In this post, I’ll discuss options for three more elements that affect the structure of the struggle phase.

Actions the antagonist takes to oppose the hero

Directly related to the progression of trouble are the actions the villain or opposition takes to thwart the hero. I made this its own topic because I’ve found it’s incredibly useful in coming up with great troubles to play the story cycle from both points of view, like a one-man chess game.

Just as I need to know my hero’s goal, motives, and plan, I also need to know the same things about my antagonist. In fact, in some stories the antagonist’s plans are what drive the story.

So my hero takes an action. I switch in my mind to the antagonist’s point of view and ask myself what I would do if I were this villain. How would I react given his goal, motives, and resources? This suggests a course or three of action. I select the one that sparks my interest the most. This action, of course, causes trouble for the hero. So I switch back to the hero’s point of view and ask myself how I would react as the hero. This causes trouble for the villain. So I switch back to the villain’s point of view, and back and forth I go.

In coming up with troubles, it’s sometimes helpful to think of how the antagonist’s actions might escalate. So when the hero pops up, maybe he sends a henchman to give him a stern warning. When that doesn’t work, maybe a smart villain might send the henchman back to quietly remove him. When that doesn’t work, maybe I call in some favors from the chief of police who I have dirt on. When that doesn’t work, maybe I decide to go take the hero’s family hostage. When he comes to save them, I’ll get him then.

Thinking about the situation from the antagonist’s point of view always helps me come up with lots of troubles for my hero. Again, as with all troubles, the one thing you want to keep in mind is that you want the antagonist to gradually escalate the measures used to remove his problem, which translates to a trouble progression for the hero.
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PublishAmerica Will Be Your Literary Agent…For $199

Friday, May 27th, 2011

Posted by Victoria Strauss for Writer Beware

Writer BewareLiterary agencies becoming publishers? Screw that trend. PublishAmerica, always a trail blazer, is swinging the other way.

The email from which I've quoted below was sent out today by the PA "Author Support Team." (All bolding is PA's.) Just imagine the hearts that are leaping and the pulses that are pounding at the sight of the title:
From: noreply@publishamerica.com
To: [email address redacted]
Sent: 5/27/2011
Subj: A literary agent wants to talk to you

Dear author:

PublishAmerica now has a Literary Agency department.

Sign up, and we will market your book to big ticket publishers such as Random House, Simon and Schuster, HarperCollins, Penguin, the new Amazon publishing company, but also university presses and independent publishers, and to a host of foreign publishers all over the world. We also work with Hollywood studios and producers...

Over the past year, while attending trade shows all over the nation and in foreign countries, we have built a very extensive Rolodex with industry contacts. We have talked to so many publishers at home and abroad, and to so many agencies and movie producers that today we feel confident that our Literary Agency can make a serious difference for our authors...Most authors are not very good sales people, least of all when it comes to selling themselves. Therefore most books need an agent if and when an author seeks to find greener pastures for their book.

Sign up today, and have an agent for your book tomorrow!
Authors are encouraged to visit www.publishamerica.net/MyAgent.html, where they discover that, to take advantage of this matchless opportunity, they must fork over $199.

The fact that PA has an exclusive claim on authors' print and digital rights does pose a bit of a hurdle in terms of licensing--for those big-ticket US publishers, anyway--but never mind, we aren't supposed to be thinking logically here.

PublishAmerica, fee-charging literary agent. I only wonder why it took this long!

John E. Johnston, III, Awarded SFWA Service Award

Thursday, May 26th, 2011

John E. Johnston, III, was the recipient of this year’s SFWA Service Award, presented at the Nebula Awards ceremony in Washington, D.C. The SFWA Service Award is given at the discretion of the President and with Board approval to a member of SFWA who best exemplifies the ideal of service to his or her fellow members. Read more here:

http://www.sfwa.org/nebula-weekend/nebula-awards/sfwa-service-award/

Quick Updates for 2011-05-26

Thursday, May 26th, 2011

Guest Post: The Watcher and the Weird

Wednesday, May 25th, 2011

by Ann VanderMeer

The Weird, as opposed to horror or dark fantasy, has a slippery quality of “you know it when you read it,” with an element of terror, perhaps, but more likely unease. Weird stories don’t necessarily have pat resolutions and the creepiness or intensity of them is part of the journey.

Although weird fiction has a strong and proud tradition in the UK and North America, it’s not exclusively an Anglo phenomenon. As we discovered when reading for The Weird: A Compendium of Strange & Dark Fictions (Atlantic, November 2011), you can find weird all over the world. That anthology contains work from fourteen countries and every continent except Antarctica.

One of those countries is Finland, and the writer in question Leena Krohn, whose Tainaron is one of the finest short weird novels of the past fifty years. Works by the excellent Johanna Sinisalo, Boris Hurtta, and many other writers also exist in this visionary, hard-to-classify gray area. (more…)

Quick Updates for 2011-05-25

Wednesday, May 25th, 2011

Quick Updates -- istock

Member News

  • Welcome to SFWA’s new Associate member Jakob Drud. Read his qualifying story at Flash Fiction Online.
  • Welcome to SFWA’s new Associate member Patrick O’Sullivan, with a sale to Writers of the Future Volume XXVII.
  • Welcome to SFWA’s new Active member, Matthew Sanborn Smith, with three short story sales. Read one of his qualifying stories on Tor.com.
  • Welcome to SFWA’s new Active member Erin Hoffman author of SWORD OF FIRE & SEA (Pyr 2011).
  • Welcome to SFWA’s new Active member Dave Freer, author of DOG AND DRAGON (Baen).
  • Interview with fashionpunk novelist & SFWA member Jon Armstrong at The Daily Monocle.
  • Congratulations to SFWA member Brandon Sanderson on his Whitney Award win for THE WAY OF KINGS.
  • CHARLES WAVERLY AND THE DEADLY AFRICAN SAFARI by SFWA member Anna D. Allen is now available here.
  • You can read excerpts from Locus’s interview with SFWA member David Levine at Locus Online.
  • SFWA member Allan Cole‘s STEN IN HOLLYWOOD: THE NEXT TO THE LAST MISADVENTURE is here.
  • SFWA Member Karen Azinger is thrilled to announce that THE STEEL QUEEN, the first book of The Silk & Steel Saga is now published on Amazon.
  • SFWA member Ferrett Steinmetz‘s religious-squids-in-a-moat story “As Below, So Above” is in audio format at PodCastle.

Industry News

Frozen Sky Celebration

Tuesday, May 24th, 2011

To celebrate the milestone of Lucky 13,000 ebooks sold of his 99-cent novella “The Frozen Sky,” Jeff Carlson is giving away free copies of his other short story collections as Mobi or ePub files.  You can choose your freebie at http://www.jverse.com/blog/

Originally published in Writers of the Future XXIII, “The Frozen Sky” is a near-future sci fi thriller set beneath the ice of Jupiter’s moon Europa.

Publishers Weekly called it “Pulse pounding.”

“A tense adventure story” said Locus Magazine.

Reprinted twice in English, “The Frozen Sky” has also been translated into Czech, Estonian, Polish and Romanian in publications overseas.  In the Czech Republic, its appearance in Pevnost Magazine initiated a small bidding war for Carlson’s “Plague Year” trilogy.

Readers can find cover art for all of the story’s incarnations on Carlson’s web site at http://www.jverse.com/gallery.html

Larry Niven and Edward M. Lerner: Betrayer of Worlds

Tuesday, May 24th, 2011

Larry Niven and Edward M. Lerner are pleased to announce the mass-market re-release of Betrayer of Worlds, the latest installment of their collaboration in Known Space.

Trapped in the Wunderland civil war, all Louis Wu wants is a way home. What Nessus, the insane Puppeteer scout, offers Louis instead is a way out — through unknowable danger. Because someone must prevent catastrophe for the Fleet of Worlds.

And in this crisis, the winner takes . . . worlds.

“Rescues, captures, kidnappings, reluctant temporary alliances, backdoor negotiations, propaganda campaigns, bluffs and double-bluffs, alien and cross-species politics, and, of course, betrayals. Lots of betrayals … One hopes that Niven and Lerner come up with some additional twists and turns.”

– Locus

Betrayer of Worlds is Lerner and Niven’s fourth novel together. The opening book in their series, Fleet of Worlds, was the “Sci Fi Essential” novel for September, 2007. Fleet of Worlds went on to be named a finalist for the 2008 Prometheus Award. (Books two and three of the series are Juggler of Worlds and Destroyer of Worlds.)

Unofficial website of Larry Niven

Edward M. Lerner’s website

Betrayer of Worlds
Larry Niven and Edward M. Lerner
Tor Books
ISBN-13: 978-0765364982