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D. Harlan Wilson is an award-winning novelist, short story writer, literary critic, screenwriter, and English prof.
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Nebula Awards Weekend
The Forty-Seventh Nebula Awards Weekend will be held Thursday through Sunday, May 17 to May 20, 2012 at the Hyatt Regency Crystal City in Arlington, Virginia, near Reagan National Airport.
We honor Connie Willis as our Grand Master!
To register, click on “Registration” in the menu to the immediate left. Then scroll down to the bottom of the page and click on the “Register” button.
Tours, workshops and panels are available for registered attendees (the number of people who can be accommodated on the tours and workshops is limited.) Active and Associate SFWA members may nominate works, until February 15th, for the awards to be presented at the May 19th Nebula Awards Weekend Banquet. Hour long interviews and readings will be recorded by Jim Freund for his Hour of the Wolf radio show broadcast on WBAI (99.5FM) in New York City.
Jon Williams is our Toastmaster (he will also conduct a half-day Writers Workshop on Friday morning.) Mike Fincke is our Keynote Speaker.
The Mass Autographing Session on Friday, May 18th will be followed by a reception to honor the nominees and other honorees.
You don’t have to be a nominee, a member of SFWA, or even a writer to participate in the weekend. Registration for the 2012 Nebula Awards Weekend is open now. The cost for the Nebula Awards Banquet is $75.00 per person. The cost to register is $50.00 for a SFWA Member and $60.00 for a non-SFWA Member until February 29, 2012. Rates for registration will be higher as the date of the event draws closer.
Results from the 2010 Nebula Awards (presented 2011).
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Saturday, June 11th, 2011
by John D. Brown
The following is part of a continuing series. If you wish to start at the beginning, head to It’s All About The Reader.
In my last six posts, I’ve discussed options for the presentation and struggle phases. In my next two posts, I’ll discuss options for the resolution phase and wrap the whole series up.
So let’s look at the resolution phase. Readers want their tension to build to a pitch. Then they want to feel a release. The resolution phase is where you deliver that delicious release.
The resolution isn’t something completely different from what you’ve done before. It’s just another trip around the story cycle. As such, you have:
At the end of the struggle phase, something locks the hero into the final showdown. The hero reacts to that thing. The reaction might be short or long, and includes what any reaction would—emotion, thought, discussion, motive, and decision. In Star Wars, this is the sequence where the rebels react to the fact that the empire knows where their base is and is going to obliterate it. It includes the scene where they discuss how they’re going to blow up the death star.
(more…)
Tags: John D. Brown
Posted in Advice for New Writers, Information Center, SFWA Blog, The Craft of Writing, Tips for Beginners, Writing Technique | 2 Comments »
Friday, June 10th, 2011

Member News
Tags: Anna D. Allen, Leah Cypess, Robert J. Sawyer, twitter
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Wednesday, June 8th, 2011
Little Brother had survived as an orphan on the colony planet Mother’s World by following two rules. First you grabbed anything edible before the valuables. Second, you never talked to the garbage. But then the garbage–a Pube girl named Sally–talked to him. Before he knew it, he was running to escape the attention of The Church of the Flesh and had begun a quest to learn why he alone had been born without the GeneCode tatoo that set one’s status, job and destiny.
Tags: King, T. Jackson King
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Wednesday, June 8th, 2011
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Tuesday, June 7th, 2011
A palace filled with ghosts… a thirst for revenge… a heartbreaking choice. “Transcendent and triumphant.”-Kirkus (starred review)
Tags: Cypess, Leah Cypess
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Tuesday, June 7th, 2011
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Monday, June 6th, 2011
by Leo Babauta
“In order to be open to creativity, one must have the capacity for contructive use of solitude. One must overcome the fear of being alone.” ~Rollo May
Creativity is a nebulous, murky topic that fascinates me endlessly — how does it work? What habits to creative people do that makes them so successful at creativity?
I’ve reflected on my own creative habits, but decided I’d look at the habits that others consider important to their creativity. I picked a handful of creatives, almost at random — there are so many that picking the best would be impossible, so I just picked some that I admire, who came to mind when I thought of the word “creative”.
This was going to be a list of their creative habits … but in reviewing their lists, and my own habits, I found one that stood out. And it stands out if you review the habits and quotes from great creative people in history.
It’s the Most Important Habit when it comes to creativity.
After you read the No. 1 habit, please scroll down and read the No. 2 habit — they might seem contradictory but in my experience, you can’t really hit your creative stride until you find a way to balance both habits.
In a word: solitude.
Creativity flourishes in solitude. With quiet, you can hear your thoughts, you can reach deep within yourself, you can focus.
Of course, there are lots of ways to find this solitude. Let’s listen to a few of the creative people I talked to or researched:
Felicia Day – wonderful actress perhaps best known for her awesome awesome work on Dr. Horrible’s Sing-along Blog, Buffy the Vampire Slayer, and The Guild.
I was thrilled when she replied to my email asking about her creative habits. One of the things she said: she makes “sure to be creative first thing in the morning, before doing anything for the outside world, really sets the day up for me. It makes it feel that CREATING is my job, not answering emails.”
Ali Edwards – an author, designer, and leading authority on scrapbooking.
I was honored with a response from Ali as well. One of her top habits wasn’t exactly solitude, but is related: “Do nothing. I have a habit of welcoming time away from my creative work. For me this is serious life-recharging time where my only responsibility is to just be Mom & Wife & Me. Doing nothing has a way of synthesizing what is really important in my life and in my work and inspires me beyond measure. When I come back to work I am better equipped to weed out the non-essential stuff and focus on the things I most want to express creatively.”
Chase Jarvis – an award-winning photographer.
Chase also kindly responded with several of his key creativity habits — see more great ones at the bottom of this post. But here’s one that I loved: “Find Quiet. Creativity sometimes washes over me during times of intense focus and craziness of work, but more often I get whacked by the creative stick when I’ve got time in my schedule. And since my schedule is a crazy one and almost always fills up if I’m just “living”, I tend to carve out little retreats for myself. I get some good thinking and re-charge time during vacations, or on airplanes, but the retreats are more focused on thinking about creative problems that I’m wanting to solve. That’s why I intentionally carve time out. I make room for creativity. Intentionally. The best example of what I mean by a retreat is a weekend at my family’s cabin. It’s a 90 minute drive from my house on the coast. There are few distractions. Just a rocky beach and a cabin from the 60′s with wood paneling and shag carpet. I go for walks, hikes, naps. I read. I did get an internet signal put in there to stay connected if I need it. But the gist is QUIET. Let there be space for creativity to fill your brain.” (more…)
Tags: creativity, Leo Babauta
Posted in Keeping At It, SFWA Blog, The Craft of Writing | 1 Comment »
Sunday, June 5th, 2011
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Saturday, June 4th, 2011
by John D. Brown
The following is part of a continuing series. If you wish to start at the beginning, head to It’s All About The Reader.
In my last three posts, I’ve discussed a number of options for elements of the struggle phase. In this post, I’ll finish those.
What leads the hero into the final showdown
The next thing you want to think about is what locks the hero into the final showdown and moves the story from struggle to resolution. I see three things that can do this:
- An insight & decision
- Some piece of information or a tool
- An external pressure
Which it will be often depends on the main obstacle the character faces.
The stories that use insight and decision are usually those where the main obstacle is the character’s internal problem. For example, in stories where love and friendship is on the line and the obstacle is the main character’s values, it may be that the hero has to make a decision to place love above something else.
(more…)
Tags: John D. Brown
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Saturday, June 4th, 2011
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