SFWA’s Contracts Committee has recently been seeing a proliferation of contracts from small magazines, and a very few established markets, that license all derivative rights in perpetuity. This is a red flag for a number of reasons, even if these rights are licensed non-exclusively.
SFWA’s Contracts Committee has recently been seeing a proliferation of contracts from small magazines, and a very few established markets, that license all derivative rights in perpetuity. This is a red flag for a number of reasons, even if these rights are licensed non-exclusively
Check out Humble Bundle’s new bundle of goodness: “Classic Sci Fi & Fantasy & Audiobooks.”
by Gargi Mehra
Writing when you’re in full flow is like living a dream. Who doesn’t love that feeling when the words spill out faster than you can type them? If you’re old school, the scratch of the pen as it flies over the pages struggles to keep pace with your thoughts.
The reverse scenario keeps writers awake at night.
by Nick Wood
There are costs to illness and disability. This is not an uncommon scenario amongst writers–see my list of blogs below on writing through various disabilities.
Welcome to the April edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Paul Jessup
I don’t think I could exist without a group of like-minded writers meeting and discussing things constantly online. Whether it’s the ad-hoc social networks cobbled together in various Twitter feeds and Facebook walls, or if it’s random secret Slack Channels (hello Broken Circles!) or forums full of pro and semi-pro writers (SFWA forums, Codex forums, etc), I need a group of fellow word hacks to keep myself sane.
by R J Theodore
I was unprepared for the wall of celebration, creativity, and acceptance I felt when I walked into the midst of a crowd of storytellers at my first SFWA Nebula Conference in 2017.
One member of SFWA will be awarded a full scholarship to “The Dark Side: A Fiction Workshop” taught by Elizabeth Hand.
by John Walters
I am a hybrid author, which means that I self-publish books and also publish short stories in traditional venues. Last night I was engaged in what I call marketing. Several of my stories had come back unsold from magazines and anthologies, and rather than having them sit around, I wanted to send them back out to other possible markets.