News from the Libertarian Futurist Society: Alex + Ada, a graphic novel by Jonathan Luna and Sarah Vaughn, has been given a Special Award.
by Kate Heartfield
A few distinct kinds of reading come with the job of being a writer: research, market research, reading for awards ballots and contest juries, reading for sheer pleasure.
And then there’s beta reading or critiquing.
Welcome to the May Market Report for SF/F.
In or near Chicago? Got any plans on May 13th around 8PM? An exciting reminder! As part of our SFWA Nebula Conference, there will be a free and open to the public mass autographing event sponsored by Tor Books! This event will feature many authors and professionals like SFWA’s newest Grand Master, C.J. Cherryh, our […]
by Leo Babauta
I’m not always a fan of deadlines and goals, but it’s good to be able to use whatever works best for you. If you’re working great without deadlines and goals, then by all means, keep going. But if you’re struggling to push a project forward (or a learning project like language lessons), then you might try a self-imposed deadline.
Dragon Con bills itself as the largest popular culture convention in the universe. As part of their 30th anniversary, they have announced the creation of the Dragon Awards.
The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways.
by Curtis C. Chen
Okay. You wrote a novel. That was the easy part.
Now you need to write a synopsis.
The newest “SFWA Star Project” recognition is awarded to By the Silver Wind by Jess E. Owen. This is a model Kickstarter for all self-published professionals. Congratulations!
by Theodora Goss
I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.
It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.