Nebula and Hugo nominated author, Cherie Priest, discusses some of the aspects of authorial control over the publishing process.
Archive for the ‘The Business of Writing’ Category
Being paid for writing is the ultimate author’s dream. Today, guest blogger C. Hope Clark sheds light on an area of support that many writers don’t think of: Grants. There are plenty of them out there, if you know where to look–though, as Hope points out, you must be sure you meet their eligibility requirements, and are willing to conform to their conditions.
What’s the average advance for a first novel? How long does it take the typical first novel to sell? Do most first novelists sell their books on their own, or through an agent? Will publishers and agents consider first novelists who don’t have any short fiction publication credits?
Some tips to consider when you’re reviewing your current website or when you’re thinking about creating one. Let’s take a look at these tips for your website’s design and usability.
A style sheet is a document the copyeditor prepares that lists the grammatical conventions, characters, places, unusual or made-up words, and the distinctive treatment of words (capitalization, hyphenation, favored spellings, etc.) within a particular text.
This article, reprinted from the Bulletin, explores the various aspects of social networking and how a writer can use them to help promote herself.
A set of six basic ideas with which to approach conventions. Networking is all about being charming and that will vary somewhat depending on the situation. So, here are the basic ideas.
Article by Chuck Rothman on (almost) everything you need to know about agents, including how to avoid scams.
Of the many issues highlighted by the recent launch of pay-to-publish divisions by two major commercial publishers (Harlequin Enterprises’ DellArte Press–nee Harlequin Horizons–and Thomas Nelson’s West Bow Press), one of the most interesting, to me, is how blurred the distinction between self-publishing and vanity publishing has become.
As I close in on the end of my current writing project, the issue of self-promotion is much on my mind. I don’t mind admitting that it’s a prospect I contemplate with dread. I’m one of those I-just-want-to-sit-in-my-room-with-my-laptop writers who really is not constitutionally suited for a world in which the definition of “author” also includes “huckster” (or, if you want to be a bit more diplomatic about it, “entrepreneur”).