Archive for the ‘Tips for Beginners’ Category

Lovable Predictability: The Pleasures and Challenges of Writing a Children’s Fiction Series

by Alex Woolf

“Why do we always have to reinvent the wheel?” my editor once asked me.

When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.

The Productivity Monkey

by Deborah Walker

I don’t find productivity to be a one size fits all discipline. Sometimes a theory or technique just doesn’t resonate for me. For example, I’ve never got on with the Pomodoro technique, but some authors love it. I listened to a podcast recently where a motivational speaker was very insistent that if you don’t have goals then you can’t achieve anything worthwhile. Goals aren’t for me. I’d rather define processes rather than goals. I’ll write every weekday rather than I’ll finish a novel in a year. Many productivity experts swear by meditation, but I don’t care for it. The best advice for techniques is to try them on for size and see if they fit.

The Ultra-Novelist

by Hunter Liguore

When it comes to writing, especially the novel, we can never give up! We’re essentially running our own ‘ultra-marathon.’ Looking at a runner who will traverse 100 miles over 30 hours, we must see the significant amount of training that went into this. Considering the above scenario, this ultra-runner must’ve spent at least half to a full year of deliberate planning/training just for this one race.

Plotting Asleep

by Luna Corbden

I’ve heard that insomnia is a common problem among writers. At least, it is for me.

I also frequently get stuck on “what happens next?” in my stories, which leads to me staring at the blank page, which leads to me opening Twitter, after which my writing session is shot. I might get stuck on that problem for weeks and weeks, my mind completely unwilling to focus on solving it when there’s nothing but a boring white page in my visual range.

What if there was a way to (partially) solve both problems at once?