Archive for the ‘Editors and Publishing Houses’ Category

Negotiating Your Short Fiction Contracts

By Karawynn Long Note: This post does not, and is not intended to, constitute legal advice; instead, all information, content, and advice is intended for general informational purposes only. You’ve written a piece of short fiction, submitted it, and gotten that thrilling acceptance letter. Congratulations! But wait—you aren’t finished yet. As a rule, the boilerplate […]

So, you think your publication is working to advance equity in SFF?

by Sabrina Vourvoulias   First, a quick quiz: Did you read the headline, and automatically compile a mental checklist of the authors and staffers from underserved communities you’ve published or hired?  Congrats, but … you were gauging diversity.  Did you read the headline and start enumerating the kind of outreach you’ve done to ensure underserved […]

Neurodiversity and the Business of Writing, Part 2: ND Difficulties in Publishing

by Matthew Broberg-Moffitt Part 1 of this series focused on the importance of #OwnVoices stories and the representation of neurodiversity and the neurodiverse (ND) in modern media. Part 2 covers the business of traditional publishing and the unique challenges that the ND face when attempting to get a seat at the proverbial table.  For those […]

Author Advances: An Update for Your Expectations

by Alice Speilburg Nearly every summer, I bring on an intern for the agency, and each week we cover a different publishing topic, focusing on traditional publishing paths in the US. When we get to author payment structures—advances and royalties—I start with a theoretical explanation. An advance is intended to cover an author’s expenses while […]

Navigating the Parallel but Uneven Ecosystems of Traditional Publishing and Self-Publishing 

by Evan Winter (This article originally appeared in The SFWA Bulletin #215.)   Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]