Monica Valentinelli talks about what it means to write non-fiction for the web versus writing for a print publication like a magazine.
Archive for the ‘Networking and Self-Promotion’ Category
What’s the average advance for a first novel? How long does it take the typical first novel to sell? Do most first novelists sell their books on their own, or through an agent? Will publishers and agents consider first novelists who don’t have any short fiction publication credits?
Some tips to consider when you’re reviewing your current website or when you’re thinking about creating one. Let’s take a look at these tips for your website’s design and usability.
This article, reprinted from the Bulletin, explores the various aspects of social networking and how a writer can use them to help promote herself.
A set of six basic ideas with which to approach conventions. Networking is all about being charming and that will vary somewhat depending on the situation. So, here are the basic ideas.
As I close in on the end of my current writing project, the issue of self-promotion is much on my mind. I don’t mind admitting that it’s a prospect I contemplate with dread. I’m one of those I-just-want-to-sit-in-my-room-with-my-laptop writers who really is not constitutionally suited for a world in which the definition of “author” also includes “huckster” (or, if you want to be a bit more diplomatic about it, “entrepreneur”).
You’ve probably heard about the importance of developing a writer’s platform. Before you start thinking about your writer’s platform, consider what your overall online reputation is first.
Do you need to have you own website? It depends on what you want to use the website for. Having an online presence may or may not translate to your desired action, in part because your presence really is about “you” as a person rather than “you” the author. With today’s technology, the two are not mutually exclusive.
The Convention Finder searches a database of cons based on location, making it easy to find the convention nearest you.
There are few things that can destroy a good story faster than a bad reading. At the same time, a really good reading can make an audience excited and drive sales. Short of a background in theater, how can authors improve their reading skills?