The energy for my money is all with publishers like Small Beer, Dalkey Archive Press, Aqueduct Press, Coffeehouse Press, and places like that. Strong, committed independents willing to take a chance on great, hard-to-classify material.
Archive for the ‘The Business of Writing’ Category
The truth is working on an anthology is like an obsession to me, and the more difficult the execution of the idea or focus, the more I become locked in on it to the exclusion of all else.
I never imagined that my love of reading and editing would bring me to this point. I just wanted to share the stories that excite me with as many people as possible.
The Speculative Speakers Service at AboutSF.com provides information for educators and conference organizers who are looking for guest speakers. Members of SFWA, who’d like to talk about SF at schools, meetings, or conferences, are invited to register.
When I decided to “go dark” on Twitter, Facebook and IMs for one hundred days, I wasn’t sure what effect it would have on my web presence.
Today, I’ll focus on kindle publishing, but the principles apply equally well to Nook, Smashwords, PubIt, and other distribution systems.
Are Facebook, Twitter and IM having any effect on the quality or volume of my work? These questions, coupled with a very long list of goals I wanted to accomplish, plagued me like a broken plot.
Somewhere during the summer, when I got the latest “I can’t sell this” from an agent, I realized, “You can’t, but I can.” I have not looked back since.
This list is not comprehensive, but includes SFWA Circulating Book Plan Depositories, and libraries with relatively large SF/F collections.
You and your work are important. Science fiction and fantasy literature permeates our culture. The mission of libraries, archives, and museums is to document our culture. We want to preserve the historical record of the SF/F field in all of its diversity for future researchers.