In THE LATE AMERICAN NOVEL: WRITERS ON THE FUTURE OF BOOKS, editors Jeff Martin and C. Max Magee have collected a number of new writers* talking about the future of books, and although the word has been interpreted quite differently by the different writers, there’s some insightful pieces included in the mix.
Archive for the ‘Publishing Technologies’ Category
With the rapid rise of eBooks, the membrane between the printed word and the digital world is getting thinner every day.
According to Carolyn’s research, aided by Google, there are about 288,355 books published every year by traditional publishers. Current estimates anticipate 800,000 books will be self-published this year. So how do you make your book stand out among literally a million titles?
When I decided to “go dark” on Twitter, Facebook and IMs for one hundred days, I wasn’t sure what effect it would have on my web presence.
Today, I’ll focus on kindle publishing, but the principles apply equally well to Nook, Smashwords, PubIt, and other distribution systems.
The times they are a-changing, the question of when will probably be answered after the next Christmas season as ebooks emerge at minimum as a major market force, over 20% of book sales is a conservative guess, so the answer to that one is soon.
Earlier this year, I was studying my royalty statement from DAW, comparing my print and electronic sales. I’ve been hearing for years that print is dying and e-books are the future, so I was rather surprised to find that electronic sales made up only 3-5% of my overall book sales.
Posted by Victoria Strauss for Writer Beware
One of the big publishing headlines this week (here, for instance) was that e-books from some popular authors were selling on Amazon for higher prices than the hardcover versions. For instance, the hardcove…
Nebula and Hugo nominated author, Cherie Priest, discusses some of the aspects of authorial control over the publishing process.
Of the many issues highlighted by the recent launch of pay-to-publish divisions by two major commercial publishers (Harlequin Enterprises’ DellArte Press–nee Harlequin Horizons–and Thomas Nelson’s West Bow Press), one of the most interesting, to me, is how blurred the distinction between self-publishing and vanity publishing has become.