Join the National Writers Union, DC Chapter and the Special Libraries Association, Social Science Division, Labor Section for our panel session on the topic of copyright on April 24th between 12:30 p.m. and 2:00 p.m.
Archive for the ‘Copyright Education’ Category
On March 10-11, 2014, the U.S. Copyright Office will host another round of discussions in Washington, D.C., concerning legislative solutions for orphan works and mass digitization under U.S. copyright law.
Early in their careers, writers sometimes sign away valuable rights under less than favorable terms. This article discusses the important right of termination under US copyright law, which allows writers to reclaim such rights in their works and to try to make a better deal.
Writers are sometimes confused by the “registration” requirement under the US copyright laws. In this post, I hope to clear up the concept and help you decide whether copyright registration makes sense for you.
At World Fantasy there was a one-hour panel on the Google Book Settlement with Russell Davis, Karen Wester Newton, Charles Petit, Jay Lake, Christopher Kastensmidt, and Dan Gamber moderating. This is a podcast of the full panel discussion.
Copyright, literally, is “the right to copy.” It guarantees the authors of creative works–including books, artworks, films, recordings, photographs–the exclusive right for a set period of time to allow other people to copy and distribute the work, by whatever means and in whatever media currently exist. It also prohibits copying and distributing without the author’s permission. You own copyright by law, automatically, as soon your work is fixed in tangible form–i.e., the minute you write down the words.
Science Fiction & Fantasy Writers of America, Inc. (SFWA), in conjunction with outside counsel, has reviewed the terms of the proposed settlement between Google, Inc. and the Authors Guild, Inc., and other class action plaintiffs.
A few questions answered and a few myths debunked regarding Copyright.