On February 23rd, at 8PM, the Baltimore Science Fiction Society, located at 3310 East Baltimore Street, Baltimore, MD 21224, will host Scott H. Andrews (Beneath Ceaseless Skies), Damien Walters Grintalis (Electric Velocipede), Rahul Kanakia (formerly of Strange Horizons), Leslie Connors (Apex Magazine) and moderator Sarah Pinsker (published in multiple magazines) for a round table discussion titled, “From Slush to Sale: Behind the Scenes at Science Fiction Magazines.”
Archive for the ‘Information Center’ Category
A PDF of the comments SFWA submitted to the Copyright Office on Monday, February 4, 2013 is available for download.
For writers who are interested in writing middle grade or young adult fantasy or science fiction, the first step is puzzling out what exactly those categories mean. Science fiction and fantasy, after all, has a long tradition of featuring young protagonists — including such classics as Dragonflight by Anne McCaffrey, Pawn of Prophecy by David Eddings, and Arrows of the Queen by Mercedes Lackey — even if those novels weren’t originally published as middle grade or young adult books.
According to newflashes popping up around the web, the Washington Academy of Sciences has created a seal of approval for the scientific accuracy of novels.
The Lifeboat Foundation will present the “Lifeboat to the Stars” award along with $1,000 to the winner at the 2013 Campbell Conference.
MFA Programs and the efficacy or use thereof tend to come up in discussion periodically. For those of you interested, here is a run down of the types of programs and what to expect. I personally have an MFA in Poetry from Southern Illinois University in Carbondale and am currently looking into applying for a second MFA, this time in Fiction. I might be addicted to school. Or it might be that MFA programs really are just that awesome.
You might have heard the advice, “Don’t chase the market.” That’s good advice, as a general idea, but many people misunderstand it and think that it means that you should not write for a specific audience. Here’s the thing… Your audience is not the market.
I’ve just finished a story, and somewhere in the primitive part of my brain, I’m determined to milk it for all it’s worth.
As authors increasingly explore way to promote their work, one question that occurs when launching a book concerns giveaways, things like bookmarks, pens, postcards, or sometimes more complex or costly items, used to promote the book.
When my first novel came out – in 2000 – by all weights and measures, I had “made it” as a mid-list fiction writer. I’d secured a two book deal (the second: a collection of short stories, the most elusive prey on the planet), a tidy first-timers advance, and a round of positive reviews from all the usual suspects.