Character and problem by themselves don’t go anywhere. You still have to build reader tension to a sharp point. So how do you do that?
Archive for the ‘Information Center’ Category
Writing is a risky career choice and one that doesn’t always yield a lot of concrete reward or social approval. But if one pretends it’s not a choice, then one doesn’t have to worry about those things, or at least not in the same way.
In my last two posts, I identified a number of things that make people and, therefore, characters interesting to us. In this post, I’ll present the last two draws and introduce the next condition for reader suspense.
I would like to share ten resources, more or less, that I think are really terrific when it comes to getting the science right. These will be biased toward my areas of expertise, and will span books, websites, and software. Old-fashioned books first.
The Washington Science Fiction Association has established a literary award to honor the work done by small presses in promoting and preserving science fiction.
All life is nurtured by death, and a story is defined not so much by what it is, but by what it is not. Our fiction cannot take on life unless we are willing destroy all of the beautiful possibilities but one: the best one.
We cannot help but be interested in characters who are, do, or have things we want. In fact, this is one of the main draws of fiction–experiencing something wonderful or cool, even if it’s vicariously.
BBC World Service, in partnership with the British Council, launches the 12th Annual Radio Playwriting Competition, which invites writers from around the world to submit a one-hour radio play on any subject.
In my last two posts I discussed the fact that readers are not going to hope and fear for a character unless that character raises their sympathy and sense of deservingness. But is that enough? Do readers stick around if the characters are utterly boring?
The unpublished often believe that agents exist because of the publishing funnel, and to be sure, that has helped cement agents’ central importance to the publishing business. But what really enables agents to exist is the fact that up until recently, every deal, big or small, was up for negotiation–the size of the advance, the terms of the contract, the rights up for discussion.