by Russell Galen
Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.
by Cat Rambo
So this morning one of the items that’s been hovering in the wings for a couple of weeks now finally went out, which was the announcement of the game writing qualifications. Since there there’s been a lot of stir and some questions about it. So here’s some answers.
by Mary Rosenblum
So you can publish on Amazon.com, but if you’re successful they’ll yank your book? What kind of catch 22 is this? Ah, oh yes, all you authors who are trading reviews? Amazon.com, according to that helpful associate Brad spoke to, is ‘looking at’ Goodreads, too. Their own company! They’re looking at authors who connect up to swap reviews… If most of your reviews come from other authors, you might want to think about this.
by Sylvia Spruck Wrigley
As a science fiction writer, I’m always on the lookout for cutting edge technologies that might spark an idea for a story. This time, an initiative called Project Scarlet Eagle came looking for me. At first it was all hush-hush, but now I have permission to tell you everything[1].
Welcome to the July Market Report for SF/F. Magazine News: Deep Magic is a bi-monthly electronic magazine that publishes clean short fiction in the fantasy and science fiction genres. Our issues are also filled with author interviews, art features, book reviews and tips for writers. Most of our nonfiction pieces are invitation only to industry professionals […]
by K. Tempest Bradford
I use the Diigo Outliner, a versatile online tool that I recommend to teachers and writers who want to arrange collections of links and text in an easy to scan and understand way.
by Megan Leigh
When it comes to equal representation in fiction, women have a long way to go. There simply aren’t enough female characters in books and that’s counting those that appear only as romantic interests, victims to be saved, or someone’s mother. Is it really so much to ask for an equal number and variety of well-written, three-dimensional female characters?
Welcome to the Junec Market Report for SF/F.
Deadlines and Closures to Note:
Pro anthology Sunvault: Stories of Solarpunk and Eco-Speculation is open to submissions of fiction and poetry until June 4 and submissions of line art and coloring pages until June 30, 2016.
Info about the organization’s new member experience, game writer criteria, the state of SFWA finances, volunteer opportunities, Worldcon plans, the 2017 Nebulas, awards for anthologies, what they’re reading, and more.
by Aidan Doyle
Text expansion tools are a way to save time by using shortcuts for text you commonly type. For example, on my computer I type -em and it’s automatically replaced by my email address. When submitting short stories I have a standard cover letter template. I type -pubs and modify the template according to the market. If you’re an editor sending many similar emails, text expansion tools can save you a lot of time.
This anthology contains issues eight through ten of the preeminent e-zine for fantastic furry fiction. Edited by Mary E. Lowd, it features stories by Nina Kiriki Hoffman, Tim Susman, and Michael H. Payne.
Renan Bernardo is a science fiction and fantasy writer from Rio de Janeiro. His fiction appeared or is forthcoming in Tor.com, Apex Magazine, Podcastle, and others. His fiction has also appeared in multiple languages.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
