This sample DMCA form generates an email which authors may use as a model when sending a DMCA notice to a site infringing upon their copyrighted material.
Archive for the ‘Information Center’ Category
by Cat Rambo 1. Any debate about the current struggle between electronic and traditional print publishing begins with this fact: no one thinks that online publishing will not eventually overtake the traditional, hold-in-your-hand, made-of-dead-trees model. While you may well continue to be able to slip something paperback-sized into your back pocket two decades down the […]
The website http://reading.kicks-ass.net/ contains a significant amount of material that is recognizably copyrighted by our members. Often sites which post material without permission are outside the United States and governed by different copyright rules. In this instance the hosting company’s policy explicitly prohibits distribution of copyrighted materials. Legally, DMCA notices must come from the […]
I never thought I’d be re-visiting the issue of literary agents charging reading fees. After all, the problems inherent in the charging of reading fees are recognized by all four literary agents’ profession…
Self-promotion: a subject much on many writers’ minds. All across the Internet, new authors are urged to be proactive in publicizing themselves and their books–to build a “brand.” But what to do? And how much?
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
Monica Valentinelli talks about what it means to write non-fiction for the web versus writing for a print publication like a magazine.
Nebula and Hugo nominated author, Cherie Priest, discusses some of the aspects of authorial control over the publishing process.
Being paid for writing is the ultimate author’s dream. Today, guest blogger C. Hope Clark sheds light on an area of support that many writers don’t think of: Grants. There are plenty of them out there, if you know where to look–though, as Hope points out, you must be sure you meet their eligibility requirements, and are willing to conform to their conditions.
What’s the average advance for a first novel? How long does it take the typical first novel to sell? Do most first novelists sell their books on their own, or through an agent? Will publishers and agents consider first novelists who don’t have any short fiction publication credits?