From the Odyssey Writing Workshops Charitable Trust: This winter, the Odyssey Writing Workshops Charitable Trust is offering three live online courses with the same high quality and rigorous approach as its acclaimed, in-person Odyssey workshop: Showing versus Telling in Fantastic Fiction, One Brick at a Time: Crafting Compelling Scenes, and Effective Endings in Speculative Fiction. […]
by Cat Rambo
Are you putting words on the page? Then you are doing it right.
You may not be creating publishable words. You may not be creating amazing words. You may not be creating words you like. But by creating words, you are doing something actual, tangible, verifiable. And that puts you ahead of all the people who aren’t writing.
By Leo Babauta
I’m here to talk about how I push past what Seth Godin calls “The Dip” — that slump that we all hit when things get hard, which is (sometimes) before the place where things get great.
I’ve spent much of my life jealous of those around me who were naturally talented at things. I’ve always wished I had something resembling talent in visual arts; I have never been able to draw, and it’s a talent I greatly admire.
by Caren Gussoff
We’re on the front lines of the changing publishing industry, and for all the insecurities that encompasses, we have a growing number of tools that help reach out and sell directly to fans. Of these tools, perhaps the one most successful has been the online crowd funding platforms.
In the last few months we have seen reports of possible issues with several publishers including late or non-payment, contract violations and a lack of promised publicity support. We would like to remind members that while the Board is definitely concerned about these reports, we cannot act without first-hand information.
by John Scalzi
When I’m out and about and recount my tour adventures to people (I can reel off my itinerary just about in my sleep at this point), the question often arises about whether all this touring is actually still useful and/or desirable in an age where so many people get their books electronically, and when one (or at least, one like me) can show up to a comic con, at which between 20k and 50k people will show up in one place, where you also happen to be.
by Nancy Fulda
Villains are challenging to write. Make them too heartless, and no one will find them believable. Make them too empathetic, and the audience will end up rooting for the wrong team. It can be difficult to create an antagonist with enough human virtue to be interesting and enough human foibles to be, well, villainous.
The first issue of Ares Magazine is now in the hands of subscribers and available for purchase. The 84-page first issue features nine original science fiction and fantasy stories, an interview with game designer and author Bruce Cordell, and an article on singularity written by best-selling science fiction author William H. Keith (who also writes under the pseudonyms Ian Douglas and H.J. Ryker).
by Alethea Kontis
Luckily, there are many other outlets for writers to alternately channel their particular brand of creativity: Blogging, podcasting, memes, fan fiction…in this day and age, the possibilities are endless.
So you want to be an indie author. Or maybe you’re scared to do it all yourself and are looking for a publisher but want to know more about the book business. Scott is a 30 year publishing veteran and chair of the SFWA Indie Author Committee.
L. Marie Wood creates immersive worlds that defy genre as they intersect horror, romance, mystery, thriller, sci-fi, and fantasy elements to weave harrowing tapestries of speculative fiction. Wood is a Professor of English and Creative Writing.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
