When my first novel came out – in 2000 – by all weights and measures, I had “made it” as a mid-list fiction writer. I’d secured a two book deal (the second: a collection of short stories, the most elusive prey on the planet), a tidy first-timers advance, and a round of positive reviews from all the usual suspects.
Archive for the ‘Information Center’ Category
Have you heard of the Andre Norton Award? Ever wonder how the books are nominated? What books qualify? Who picks the winners? Or maybe you’ve just been curious to learn more about young adult (YA) fiction or middle grade (MG) fiction. Well, you’re not alone.
Here, I’d like to list out my last five of ten truths about professional jealousy (as I see it), which concern how you can deal with the green-eyed monster when it will not simply be slayed.
I knew I’d found a keeper when my boyfriend-at-the-time barely flinched the first time he saw one of our fights, word-for-word, in print. “You writers,” he said. “You air your dirty laundry. That’s how it is.”
There’s a tendency for writers to obsess over rules. If you’re reading my blog series “Chasing the First Sale,” you know I’m the chiefest of sinners; it’s packed full of rules, and there’s a good reason for that: rules are helpful. They give shape to good tendencies and bad.
SFWA Middle Grade and Young Adult Writers is a special interest group supporting SFWA’s middle grade and young adult author members. Formed in June 2012, the group is currently in the midst of a six-month trial period.
Strange Horizons is a non-profit magazine of and about speculative fiction and related nonfiction. The magazine was founded in September 2000 by Mary Anne Mohanraj, who was Editor-in-Chief until 2003.
These days, many authors focus more time on self-promotion through social media than on marketing their books. It’s not necessarily a bad idea, but with all the social media hype, it can be easy to forget about the fundamentals.
This year, Odyssey is offering three different online courses covering some of the most critical issues for developing writers.
Don DeLillo wrote: “One truth is the swing of the sentence, the beat and poise, but down deeper it’s the integrity of the writer as he matches with the language.”
Can the same thing be said about a writer’s connection to the work of another?