Today the board of directors of SFWA unanimously voted to add Highlights for Children to the list of SFWA qualifying markets. This venerable magazine began publishing in 1946 publishes short fiction for children. It has served as an early gateway to reading for many science-fiction and fantasy writers. Speculative fiction short story sales to Highlights may be […]
Archive for the ‘SFWA Blog’ Category
What is it that makes us entertain fantasies about mating outside our own species? Surely this can’t be in our DNA; the mule, sterile offspring of a horse and donkey’s mating, is an example of the evolutionary dead end that results.Yet since our earliest days we’ve apparently been fascinated by the non-human cultures we co-exist with, and the fantasy of strange creatures, able to shift from wild animal to human. Long before we could write, we told stories around the campfire about them, as lovers, not monsters.
Earlier this year, I was studying my royalty statement from DAW, comparing my print and electronic sales. I’ve been hearing for years that print is dying and e-books are the future, so I was rather surprised to find that electronic sales made up only 3-5% of my overall book sales.
With this post we begin looking at the key conditions that build reader suspense. Stories are made up of four main ingredients: character, setting, problem, and plot. All of these are important, but problem is the engine that makes suspense go.
Because even watchdogs have to rest sometimes, the Writer Beware blog will be taking a break over the holiday season. Unless there’s a really juicy publishing story, this blog will be on hiatus until the new year.
Picture this–it’s the 1870’s. An African American pharmacist in knee-breeches and a frock coat has just made a startling invention–a refrigeration device. Okay, it’s an improved model designed for corpses, which makes me wonder what other mad scientist stuff was going on in the background, but Thomas Elkins was a REAL GUY. And totally, thoroughly steampunk.
Member News for Jennifer Jackson, Scott Dalrymple, Kameron Hurley, Michael Sullivan, Vonda N. McIntyre, and Cat Rambo.
Since I so often get questions about the legitimacy of literary contests (see, for instance, my posts of December 16 and December 7), I thought it would be helpful to post some suggestions for evaluating any contests you may be thinking of entering.
I had no idea what that book was actually about, or any notion of characters beyond September and the Green Wind. But the book as it exists in the world of Palimpsest presented certain rules, and I always find it wonderful to write confined to a set of rules.
Sometimes it feels like there are a thousand things to remember when writing a story. New writers who make lists of these things soon begin to drown in them. But I’ve come to realize that many of these “rules” don’t matter.