Last winter, we had a huge response to the three online courses we offered. Writers from all over the world applied; only fourteen were admitted to each course. Using the latest technology, we were able to interact with each other in live class meetings and exchange homework and critiques.
Archive for the ‘Workshops and Critique Groups’ Category
You are cordially invited to join the Milford SF Writer’s Conference, held at the Trigonos Centre in Snowdonia, Wales.
The Banff Centre, located in Banff National Park of Canada, has issued a press release that indicates they are accepting applications for upcoming courses.
Since its founding in 1996, Odyssey has become one of the most respected workshops in the science fiction, fantasy, and horror writing community. Odyssey is for developing writers whose work is approaching publication quality and for published writers who want to improve their work. The six-week workshop combines advanced lectures, exercises, extensive writing, and in-depth feedback on student manuscripts.
by David Alexander Smith Critiquing in a workshop context is a skill worth learning. Some tips for the novice: Before you begin. Familiarize yourself with workshop procedures and etiquette. Take some time with the Glossary of critiquing terms and become familiar with the jargon; we use it frequently, especially in the verbal critique, and it […]
Online Workshops Critique Circle is an online writing workshop for writers of all genres. It has both free and paid memberships and is populated by aspiring writers. (Note: SFWA does not endorse paid writer services.) Critters Workshop is an on-line workshop/critique group for serious Science Fiction/Fantasy/Horror writers. Several thousand members, from aspiring to award-winning pro, with a friendly atmosphere […]
by James Patrick Kelly © 1988 by James Patrick Kelly, First published in The Bulletin of The Science Fiction Writers of America You don’t believe in writers’ workshops — never have. Maybe you had a bad experience in college. Some reedy creative writing type sneered at sci-fi and said you probably ought to think about […]
Edited by Lewis Shiner Second Edition by Bruce Sterling NOT COPYRIGHTED Introduction by Lewis Shiner This manual is intended to focus on the special needs of the science fiction workshop. Having an accurate and descriptive critical term for a common SF problem makes it easier to recognize and discuss. This guide is intended to save […]
by David Alexander Smith Theme and meaning. Does the story move us? So we emerge from our fictional journey emotionally engaged, or wiser than we went in? Do we remember the story after we’re done? Along the way, does the story force us to think? Do we re-examine, or see afresh, things we take for […]
by David Alexander Smith Those of us who’ve been in the Cambridge SF Workshop for some time have developed an approach to critiquing that we find serves us well. These principles — our Critiquing Manifesto — help us work together to create the best fiction we can. 1. Why Are We Here? Often workshops founder […]