by Juliette Wade This one’s funny, because it sounds like grammar, or maybe computer programming… Syntax is the study of how sentences are put together. Part of this is word order. This is the one everyone fears because it often involves diagramming sentences. Actually, one of my most intense and wonderful classes was Syntax 1 […]
Archive for the ‘Writing Technique’ Category
Morphology is a fantasy and science fiction writer’s best friend. Seriously. Why? Because everyone uses it, and I mean everyone, whether they know it or not. Every story that makes up a name for a group of people and then pluralizes it is using morphology. Every story that takes a nice-sounding made-up word and then adds on a suffix to make the name of a country or city is using it too.
Sometimes coming up with the right character name can be the hardest part. Whether working in secondary worlds or the real world, we have some research tools to make picking that perfect name a little easier.
Articulatory phonetics deals with how the human vocal tract creates sounds.
Knowing the principles of how the vocal tract works can help science fiction and fantasy writers to create languages that follow naturalistic patterns of pronunciation, thus making created languages that seem more natural.
This sequence of “How ____ can help you!” pieces concerns various areas of linguistics. These aren’t intended to be technical, or even introductory discussions of linguistics itself. They are short, practical pieces which relate linguistics topics to the use of created languages in science fiction and fantasy.
When writing historical fiction or fantasy, the question of food either seems daunting or is completely overlooked. With the Historical Food Timeline, you can get an approximate idea of when a given food was introduced.
This article by David Alexander Smith covers some of useful rules of thumb for story structure and world-building.
The following list of questions is meant to aid authors of fantasy fiction who are seeking to create believable imaginary settings for their stories. While many of these questions may be helpful or crucial to certain stories, they will not all apply to every story. It is not necessary for an author to answer all, or even any, of the questions in order to start writing, (or to finish writing, either). The idea is simply to provoke people into thinking about the ways their settings and backgrounds hang together … or don’t. If it’s useful, use it. If not, don’t.
By Patricia C. Wrede General How do ordinary people feel about foreigners? Non-humans? How ready are they to accept different ideas? How cosmopolitan are they? How much social mobility is there? Is it easy or hard for a person born a peasant to advance to the middle class, or a middle class person to the […]
By Patricia C. Wrede General Which peoples/countries/races fought, allied, traded, or were traditional rivals? Where are there still hard feelings about old events? Is there a “trade language” that facilitates commerce between countries that don’t speak the same tongue? Is there a “universal language” spoken by educated or noble persons, as Latin was in the […]