When it comes to social networking, Pinterest has emerged as a major player. Cat Rambo provides an excellent overview.
Posts Tagged ‘cat rambo’
The absolute necessity of a happy ending is another Americanism. So, while I understand why some readers were frustrated with those aspects of the story, I wouldn’t change them even if I could because I feel Americans should be open to other points of view — or at the very least, exposed to them.
I love worldbuilding. I love using symbolic and metaphorical social constructions to exaggerate and concentrate the issues we deal with in the real world.
I absolutely love the military, but I’m not blind to the challenges and limitations of the life either. Control Point was definitely a steam valve in some respects.
In THE LATE AMERICAN NOVEL: WRITERS ON THE FUTURE OF BOOKS, editors Jeff Martin and C. Max Magee have collected a number of new writers* talking about the future of books, and although the word has been interpreted quite differently by the different writers, there’s some insightful pieces included in the mix.
Some panel ideas, which any convention organizer is welcome to grab.
I’ve always been interested in dreams, in the dreamtime, what are they, what is it? The Dreamtime, after all, is both real and fantasy. We all experience it, in that sense it is definitely “real.” But the dreams we experience are “fantasies.”
The energy for my money is all with publishers like Small Beer, Dalkey Archive Press, Aqueduct Press, Coffeehouse Press, and places like that. Strong, committed independents willing to take a chance on great, hard-to-classify material.
The truth is working on an anthology is like an obsession to me, and the more difficult the execution of the idea or focus, the more I become locked in on it to the exclusion of all else.
I’m always attracted to secret, arcane realms, which is one great subect of fantasy. I started in that direction with The Entire and the Rose, which I’ve (loosely) been calling a science fantasy for its quest theme and fantastical adventure.