Today’s guest blog post, from journalist Mridu Khullar Relph, explores the world of writing schemes and scams from an international perspective–something that’s increasingly an issue for Western writers looking to find work overseas.
Posts Tagged ‘Writer Beware’
When I’m researching a website, I always vet the testimonials, because they can be, you know, fake. The very first Albee testimonial I checked caused warning bells to ring.
Well, it’s happened again. Another traditional publisher has added a pay-to-play “division.”
Yesterday, venerable trade publisher (and one of the Big 5) Simon & Schuster announced the launch of Archway Publishing, a self-publishing services provider.
Levin’s article is exactly what its title suggests: a screed on how, no matter how things might seem to the hopeful author or the uninformed observer, publishers just really despise authors. I mean, REALLY despise them. Why? Well, according to Levin, authors are flaky.
I’ve seen a slew of bad publishing contracts lately, which makes this guest blog post by author Kfir Luzatto especially resonant for me. Turning down a publishing offer when you have one in hand is one of the toughest decisions you will ever have to make…but sometimes, if the publisher has a poor reputation or the contract terms are bad, it’s the wise thing to do.
The following statement was sent by the Authors Guild to its members on Sunday. The Guild labels the proposed merger between Penguin and Random House (which would create the world’s largest publisher) “unsettling,” and urges “close scrutiny from antitrust officials at the Justice Department or the FTC.”
It’s right there in the logo of the Screenplay Replay Contest: the come-on.”Where Your Winning Script Gets a Publishing Deal.”
Posted by Victoria Strauss for Writer Beware
On Thursday, I blogged about high entry fee awards schemes. Today, I’m going to discuss another potential awards trap: non-optimal entry rules.
It’s Awards Week at Writer Beware! No, I’m not handing out prizes–I’m dispensing cautions. I’ve got two posts this week, both focusing on literary awards you may want to think twice about before entering.
Query letters. Except for the synopsis, there’s no more dreaded task a writer has to undertake.
How to boil an entire book down to a short pitch that not only provides an accurate snapshot of the work, but makes a literary agent (or a publisher) want to see more?