Archive for the ‘Advice for New Writers’ Category

Guest Post: Set Powerful Deadlines

by Leo Babauta

I’m not always a fan of deadlines and goals, but it’s good to be able to use whatever works best for you. If you’re working great without deadlines and goals, then by all means, keep going. But if you’re struggling to push a project forward (or a learning project like language lessons), then you might try a self-imposed deadline.

Contracts Committee Alert: Non-compete and Option Clauses

The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways.

Guest Post: The Work of Writing

by Theodora Goss

I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.

It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.

April Market Report

Welcome to the April Market Report for SF/F. Deadlines and Closures to Note: Alfa Eridiani (Spain) has ceased publication. Gypsy Shadow Publishing, Unlikely Story, and Urban Fantasy Magazine are closed to new submissions until further notice. Hyperpulp (Brazil) has not released an issue since 2012. Intercom-SF (Italy) is currently not publishing. Jupiter Gardens Press is closed to […]

Story Cake

by Sylvia Spruck Wrigley

The popular advice for writers is to write your first draft for just one person and then to revise for the world. Your voice, they say, should be personal and true and deep but the story itself must have mass-market appeal. This is a rainbow I chased for a long time. Lately, though, I’m starting to question the simple assumption that success is measured by the number of readers.