by Noah K. Sturdevant It seems fair to say that authors are constantly scrambling for time to write. I previously wrote about managing this with a baby, and I thought I had things covered. Now I have a two year old. Who knew that a person lacking reason and driven by impulse and the […]
by Henry Lien (This article originally appeared in The SFWA Bulletin #215.) Something I’ve noticed repeatedly in my author appearances, conference panels, and lectures is that discussions about representation and diversity in the arts today focus on the importance of diverse characters and creators. As crucial as that is, diversity can and should also include […]
by Hannah Abigail Clarke In the opening credits of Zach Snyder’s Watchmen, the phrase LESBIAN WHORES is briefly scrawled in blood on a wall. The lesbian couple from whom said blood was extracted lie adjacent, lifeless in lingerie. The lesbians here exist to display death. Death binds the lesbians to this opening credit spot, allowing […]
by Tim Waggoner The horror genre is undergoing a renaissance these days, with audiences devouring popular and critically acclaimed books, movies, and television series. If you’re a science fiction or fantasy writer who’d like to add more horror to your authorial toolbox, but you’re not quite sure how to go about it, you’re in […]
By L. D. Lewis (This article originally appeared in The SFWA Bulletin #214.) In much the way too many crows is a murder, I have what is effectively an embarrassment of a TBR pile. It sits in various stacks atop my dining room table and beside the box containing the tall bookcase I have yet […]
Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.
by Leanna Renee Hieber
I’m often asked if my professional theatre and playwrighting background helps me as a fiction writer. It does in countless ways. Theatrical form, training and structure are holistically integrated into how I see the world and operate as a storyteller.
by Katherine Quevedo
Looking for unconventional, potentially striking ways to explore what it means to be human in your writing? It may seem counterintuitive, but personification—ascribing human qualities to inanimate objects—can open new avenues to plumb the depths of human experience.
by Cat Rambo
Milestones are markers that show you’ve reached the end of one of these steps. Just as physical road markers tell you how far you’ve journeyed, these milestones help you mark progress.
by Hunter Liguore
Writing classes and books are filled with tips on creating characters and developing plot, but very few ever offer the golden jewel that oversees all the other components meshing together to arrive at a story or novel: coherence. In fact, when an author discovers coherence for the first time, they will experience a place where words melt away, and the only thing that remains is a deep knowing and trust in how the story will take shape.
“In the sequel to The Brass Queen, the vivid worldbuilding and delightful characters create an epic setting. Chatsworth pushes the dialogue and banter to extremes, leading to a fast-paced and humorous steampunk tale.” – LIBRARY JOURNAL
Forthcoming work includes novella His Unburned Heart (about Mary Shelley and her husband’s heart) from Raw Dog Screaming Press (May, 2024) and novel Egyptian Motherlode (co-written with Jacob Weisman) from Fairwood Press (October, 2024).
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
