Guest Post: Clarion West Writers Worshop
What are the secrets to Clarion West’s success? How did it get to be one of the world’s premiere training grounds for authors of speculative fiction? Most likely that’s happened because of you. Here’s how.
What are the secrets to Clarion West’s success? How did it get to be one of the world’s premiere training grounds for authors of speculative fiction? Most likely that’s happened because of you. Here’s how.
You don’t have to be a fanatic to use Twitter; it doesn’t have to take over your life. Just get an account, use your real name, start following some people, and post some things. You don’t have to do it all at once, but you should do it. If you follow a publisher, a lot of times the publisher will follow you back.
In THE LATE AMERICAN NOVEL: WRITERS ON THE FUTURE OF BOOKS, editors Jeff Martin and C. Max Magee have collected a number of new writers* talking about the future of books, and although the word has been interpreted quite differently by the different writers, there’s some insightful pieces included in the mix.
I’m going to touch on something that I’ve discussed briefly before but which I think is worth reheating into its own post. Here are the best selling books in the US from 1912, which is (for those of you for whom math is not a strong suit) 100 years ago.
One of the first published novelists I got to know told me that it was really awkward to be friends with a writer whose stuff you don’t like.
Buying into a personal mythology of hierarchical status can harm your career. It’s one thing to expect respect for your work and experience. It’s quite another to expect demonstrations of your status or to make pronouncements like “I will not attend any conventions at which I am not a guest of honor.”
We do need, not more, but a deeper relationship with what we have. Not knowledge, or not just knowledge, but understanding. That’s what writers give us.
With the rapid rise of eBooks, the membrane between the printed word and the digital world is getting thinner every day.
A good story should always be raising questions — not asking them directly, but instead forcing the reader to ask them. “Wait, what’s that weird symbol they keep seeing on the walls? What was that sound? Something’s up with that top hat-wearing fox that keeps following them, too.
If you do set up an event at a store, it may sound obvious, but an author promoting their event on their own Facebook and twitter helps out a lot. We have our own ways to publicize an event to our customers, and we have our events listed in the newspaper weekly, but the more an author can say, “I’m going to be in this city, on this day,” the better our event turnout is going to be.