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Novelist as Poet or Philosopher

by Sally Wiener Grotta

I write to understand. My characters and plots are formed in a subconscious that churns with confusion or concern about how the world functions (or fails to function). As I write the story my characters tell me, I find myself posing questions that “reflect and even explain the differences and forces that relate them all… hold them together… or tear them apart.” The journey is what matters to me.

Blair MacGregor: Decisions Made

  I suppose I wanted to be convinced. While at a convention last summer, I attended a panel of SFWA members there to discuss and answer questions about the organization. When the panelists mentioned it would be nice to hear from a writer who qualified for membership but had chosen not to apply, I put […]

Painting Characters into Corners

by Nancy Fulda

If you write stories, this has probably happened to you:

The words are flowing. The plot is exciting. Your characters, faced with overwhelming odds, find themselves in the midst of a difficult and absolutely enthralling situation. It’s the Big, Dramatic Moment of your story – and you have no idea what happens next. The bad guys are too strong, the social pressures are too powerful, the pit is too deep, or your character is too broken. Try as you might, you can’t think of a single way to get your protagonist out of the current crisis.

Expanded Alert at Writer Beware: American Book Publishing / Alexis Press / All Classic Books / Atlantic National Books

Last October, I started getting inquiries about a publisher called “All Classic Books.” I hadn’t heard anything about it, though its rather odd website (a sort of online journal format, with content mill-style essays) along with the lack of concrete information about its staff and its apparent lack of publishing history (according to Amazon, just four books published, all of which appear to be public domain titles) did give me serious pause.