by Victoria Strauss of WRITER BEWARE®. Learn why official copyright registration matters, how to protect your work, and what authors need to know to avoid scams and qualify for remedies in the US legal system.
by Guy Windsor. Writing swordfighting scenes that thrill without being confusing takes skill. A professional swordsman shares essential tips to help authors craft authentic, cinematic duels that keep readers immersed and turning pages.
by Monica Cross. Science fiction and fantasy have long thrived on stage, yet remain underrepresented. Learn how hidden forces and unspoken assumptions continue to shape the landscape of contemporary SFF theater.
by Rosemary Jones. An in-depth journey through the paperback’s rich history, exploring how this humble format reshaped publishing, empowered readers, and now faces an uncertain digital future.
by Holly Lyn Walrath. From contracts to community, a small press founder shares seven essential lessons: what to expect, what to avoid, and what truly matters.
Our conversation with Victoria Strauss continues as she delves into more publishing risks—from impersonation scams to emotional burnout—and shares how Writer Beware continues to evolve as a vital resource for protecting and empowering today’s authors.
An interview with Victoria Strauss. Get an inside look at the origins of Writer Beware, its founding mission, and how it became a vital resource for authors facing publishing scams, misinformation, and unethical industry practices.
Discover how SFWA’s Nebula Awards Showcase volumes come together. Series editor Stephen Kotowych shares insights on editing challenges, evolving formats, and the rewarding process of celebrating speculative fiction’s finest stories.
by Steve Horton. A good chair, a strong coffee, and the hum of life around you—writing beyond the desk isn’t just possible, it’s worthwhile. Here’s your guide to using coffee shops and public spaces as productive writing spots.
by J. D. Harlock. Though Modern Standard Arabic (MSA) is taught all over the Arab world, we only use it as a formality. It’s difficult for speakers of Arabic dialects to understand others without knowing their distinctive syntax and semantics.
