What is SFWA?
Founded in 1965, SFWA is an organization for published authors and industry professionals in the fields of science fiction, fantasy, and related genres. Click below for more information.
News and Views
Five Paths to Break Into TV/Film as a Novelist
by Ellis Cube,
Right now, IP (intellectual property) is everything in Hollywood, and by “everything” I mean its validation—both their and your proof of concept. If your novel draws attention or builds up a sizeable audience, executives/investors will feel more comfortable spending their money on adapting what you’ve created, and they’ll come to you.
Lovable Predictability: The Pleasures and Challenges of Writing a Children’s Fiction Series
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
Good for Your Career? Evaluating Events for Writers
by Catherine Lundoff
“You should go to this – it’ll be good for your career” is a phrase that you’ll hear more than once as you start getting published. The phrase gets applied to conventions, conferences, writing workshops, book festivals and classes, just to name a few things. The “good for your career part” can refer to networking opportunities, the chance to meet editors and agents, some opportunity to gain new readership like doing a reading or being on a panel, or honing your craft.
SFWA Market Report For June
Welcome to the June edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
Crowdpublishing
by Diane Morrison
Everyone says that indie publishing is the wave of the future. Avoiding gatekeepers, who are often prejudiced against particular ideas or demographics, and putting your work out there to see if it will sink or swim on its own, puts the power (and the money) back in the hands of the writers. I had an unusual idea and format that I realized would have difficulty finding a home because of its experimental nature, so I though I would give it a try.
