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In Memoriam: Kate Wilhelm

Kate Wilhelm (b.1928) died on March 8.  Wilhelm was one of the founders of SFWA. Two years ago, SFWA named the Kate Wilhelm Solstice Award in her honor. Wilhelm began publishing science fiction in 1956 with her short story “The Pint-Sized Genie” and published her first science fiction novel, The Clone, co-written with Theodore L. Thomas, in […]

Building Worlds

by K. C. Norton

For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.

Forming Practice from Passion

By Michael Michel

Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.

Bragging Rights: A Comprehensive Look at SFWA Services

by Kate Baker

“Why SFWA?” and “What can it do for me?” These two questions have stumped many a SFWA board member, volunteer, and employee throughout our existence. The typical answer had always been, “Bragging rights and oh, the emergency medical fund.” While those two things are definitely beneficial, I’m here to tell you that the Science Fiction and Fantasy Writers of America is so much more.

Building the Disabled World

by Sandra M. Odell

I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.