Before approaching people to review a book, you really ought to a) make sure they’re actively reviewing; b) determine that they review books in the genre you’re pitching, and c) spend a little time researching the venue you’re asking them to review in, to be sure it’s appropriate (not to mention, that it really is book review venue).
However, to my mind at least, the conflicts that arise when agencies begin publishing clients’ previously unpublished works are even more concerning. If an agency can publish a client’s book itself, will it try as hard to market the book to traditional publishers?
Consult legal counsel about your situation, and your options for taking legal action. This is where the issue of breach becomes relevant. A publisher may ignore an author’s personal claims of breach, but may pay more attention if an attorney is involved.
I’ve tried a variety of strategies to keep myself on track (simple willpower, unfortunately, isn’t enough). I concentrate on email, blogging, etc. in the morning, and reserve the afternoon and evening for working on my fiction.
It’s no wonder that the Internet is bursting with promotional services, marketing companies, publicity gurus, and book promotion self-help advice from authors who’ve been there, done that.
Every time I bemoan Writer Beware’s overpacked file drawers, and wonder whether I should get rid of files for agents and publishers that have gone out of business (or at least consign them to the basement), I’m reminded of why it’s important to keep that old information handy.
Publishers that pay on net profit often pay higher royalty percentages than average, and if the percentage is large enough–50% or more–it may offset the deductions. But be sure you know exactly what those deductions are.
Literary agencies becoming publishers? Screw that trend. PublishAmerica, always a trail blazer, is swinging the other way.
How threatened do publishers feel by agencies’ aggressive moves into publishing? Well, according to a report today in The Bookseller, Random House UK has done an end run around prestigious literary agency Sheil Land, directly approaching author Tom Sharpe to secure digital rights to his backlist.
Last week, prestigious UK agency Ed Victor Ltd. announced that it was going into publishing, with an ebook/print-on-demand division called Bedford Square Books.
This sweeping urban fantasy explores what it means to be human in a world where humanity itself may be optional, where ancient gods run pawn shops, and where the difference between monster and hero often depends on which side of the story you’re telling.
Amber Hansford is a fantasy author with a Too-Much Gene living in Atlanta, Georgia. Her debut novel, The Hand of Mashyana (Feb 2025), began her Persian-inspired Epic Fantasy series, The Emari Chronicles.
