by Jeffe Kennedy As part of the writing and reading community, we all end up recommending books. Sometimes we stumble upon a request and can’t resist replying. Other times, we get tagged in a request—someone will tweet “I love @jeffekennedy’s books, but I’ve read them all. What else can I read like those?” Sometimes the […]
By L. D. Lewis (This article originally appeared in The SFWA Bulletin #214.) In much the way too many crows is a murder, I have what is effectively an embarrassment of a TBR pile. It sits in various stacks atop my dining room table and beside the box containing the tall bookcase I have yet […]
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. New Markets Addition Magazine Baffling Magazine Brain Games: Stories to Astonish If There’s Anyone Left The Wild Hunt Anthology Upon a Once Time Currently Open Analog Science […]
Science Fiction and Fantasy Writers of America (SFWA) is extremely pleased that the U.S. Copyright Office has issued a new copyright registration rule that will allow authors to register up to fifty short textual works published online for a single flat fee. SFWA, along with the National Writers Union, Horror Writers Association, and American Society […]
by J. Scott Coatsworth This article continues J. Scott Coatsworth’s interviews and compilation of information examining how SF/F magazines are faring during the COVID-19 crisis. Amazing Stories, Analog, Asimov’s, Beneath Ceaseless Skies, Clarkesworld, Escape Artists, Fantasy & Science Fiction, Fireside Magazine, Fiyah Lit Mag, and Strange Horizons responded to Coatsworth’s inquiries. Most of these responses […]
by J. Scott Coatsworth I was in the annual SFWA business meeting a few weeks ago when someone asked how SF/F magazines were faring through the COVID-19 crisis. SFWA President Mary Robinette Kowal asked for a volunteer to check things out. I raised my hand, and when SFWA gave me the go-ahead, I sat down […]
Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.
by Leanna Renee Hieber
I’m often asked if my professional theatre and playwrighting background helps me as a fiction writer. It does in countless ways. Theatrical form, training and structure are holistically integrated into how I see the world and operate as a storyteller.
“We give lip service to acceptance, as though acceptance were enough.” ― Octavia E. Butler, Parable of the Sower People ask how worlds like Octavia Butler’s Parable of the Sower can exist. It happens through the slow creep of power aided by the complacency of those shielded by their position in society. It is not enough to have […]
Welcome to the June edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
From the Hugo & Nebula award nominated author of Shigidi and The Brass Head Of Obalufon comes a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we converge to our future selves.
T. A. Bruno grew up in a suburb south of Chicago and moved to Los Angeles to pursue a career in the film industry. Since then, he has brought stories to life for over a decade as a previz artist. At home, he is the proud father of two boys.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
