I feel passionately that some of the information we are getting is increasingly wrong and motivated by selfishness and, yes, to some degree, a form of hyperbolic illogic. We are so hung up on predicting the next big thing, on getting in on the next gold rush when it comes to ways for authors to promote themselves and market their work that we often seem to be active participants in our own destruction.
Writers who do not take the time to create a will with provisions for the handling of their literary estate may help make their work more obscure than it should be, and deprive readers of great fiction for reasons unrelated to an anthologist’s or editor’s desire to include them.
BooklifeNow.com, a website that serves as support for and a supplement to Booklife: Strategies and Survival Tips for the 21st-Century Writer by author Jeff VanderMeer, is proud to announce a new website rebranding and content management team that aims to keep current with changing trends in the writer’s market, as well as increase reader engagement and grow the reader base.
Buying into a personal mythology of hierarchical status can harm your career. It’s one thing to expect respect for your work and experience. It’s quite another to expect demonstrations of your status or to make pronouncements like “I will not attend any conventions at which I am not a guest of honor.”
The energy for my money is all with publishers like Small Beer, Dalkey Archive Press, Aqueduct Press, Coffeehouse Press, and places like that. Strong, committed independents willing to take a chance on great, hard-to-classify material.
The truth is working on an anthology is like an obsession to me, and the more difficult the execution of the idea or focus, the more I become locked in on it to the exclusion of all else.
I never imagined that my love of reading and editing would bring me to this point. I just wanted to share the stories that excite me with as many people as possible.
With regard to Finch, I think a lot of readers who thought I did more leisurely-paced fiction were surprised (although they shouldn’t have been) that I could write what amounts to a thriller-noir-spy story mixed with elements of visionary fantasy.
Sometimes we forget to breathe when it comes to our creativity. By which I mean we are so busy creating and interacting with the world that we forget to pause, to be silent, to be alone. The imagination, the spark of all creativity, is a renewable resource, but it is not an inexhaustible resource.
Sometimes, no matter your best efforts, you’ll find yourself stuck in a rut, bored with your work and yourself. At such times, here are a few techniques that may nudge or jolt you out of that mood.
AFTER THE FALL
I was created by beings who couldn’t touch this world, only watch it crumble.
I was told, “Do not interfere.”
I wasn’t meant to change history, only guide it.
But I broke Directive Three.
Can humans survive a second collapse?
Brian Pinkerton is the author of The Perfect Stranger, The Nirvana Effect & The Gemini Experiment. Publishers Weekly praises his tech thrillers, “Fans of stories centered on the conflict between the virtual and the real will find plenty to enjoy.”
