By Rachael K. Jones Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but […]
By Jay O’Connell In the blink of an eye, AI-generated art has evolved from a disturbing oddity into stunningly crafted
UPDATE 12/3/2021: The NZ National Library has announced that they will be reconsidering their plans for this archival deal “in
Science Fiction and Fantasy Writers of America (SFWA) is extremely pleased that the U.S. Copyright Office has issued a new
Using the Coronavirus pandemic as an excuse, the Archive has created the “National Emergency Library” and removed virtually all controls from the digital copies so that they can be viewed and downloaded by an infinite number of readers.
When you have your first (or next) contract in front of you for a traditionally published book, you are likely thinking primarily about your advance and what rights you want to retain. But one of the most significant clauses, usually found somewhere toward the end of the contract, may be the most important for you in the long run: the reversion clause.
by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
The SFWA minimum payment rate for professional short fiction markets is now eight cents per word. In accordance with our
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Douglas Phillips
Sometimes, we get dragged into legal battles whether we like it or not. This happened to me, and I want to be sure every author hears the story, because it could happen to you too.
