by Alexandra Elizabeth Honigsberg It’s often said that nothing learned goes to waste. Certainly we as writers find this is true. Everything is grist for the story mill. I’ve also noticed that, as I read the bios of my fellow authors, we have chequered pasts and still tend to wear several hats. I am no […]
by Dr. Debra Doyle The temptation, in arguments involving genre fiction and literary taste, is to give up and say, “Okay, I’m a philistine, not to mention an unlettered slob. I like the books anyway” — but dammit, I’m not an unlettered slob, I’m a professional writer with an earned doctorate in English literature, and […]
by B.W. Clough Copyright © 1995 B. W. Clough. First published in the Fall 1995 issue of the Bulletin. A writer needs many gifts to succeed. One that I fatally lack is the gift of titling. I can write a good book or story, but choosing an appropriate, zingy, marketable title for it is often […]
by Stephen Baxter Copyright © 1995 by Stephen Baxter. First published in the Fall 1995 issue of the Bulletin. Many reviewers have pointed out the influence on much of my work of James Blish’s classic hard sf tale “Surface Tension” (1952). Parallels with “Surface Tension” show up most strongly in those of my stories which […]
by David Alexander Smith Critiquing in a workshop context is a skill worth learning. Some tips for the novice: Before you begin. Familiarize yourself with workshop procedures and etiquette. Take some time with the Glossary of critiquing terms and become familiar with the jargon; we use it frequently, especially in the verbal critique, and it […]
Online Workshops Critique Circle is an online writing workshop for writers of all genres. It has both free and paid memberships and is populated by aspiring writers. (Note: SFWA does not endorse paid writer services.) Critters Workshop is an on-line workshop/critique group for serious Science Fiction/Fantasy/Horror writers. Several thousand members, from aspiring to award-winning pro, with a friendly atmosphere […]
by James Patrick Kelly © 1988 by James Patrick Kelly, First published in The Bulletin of The Science Fiction Writers of America You don’t believe in writers’ workshops — never have. Maybe you had a bad experience in college. Some reedy creative writing type sneered at sci-fi and said you probably ought to think about […]
Edited by Lewis Shiner Second Edition by Bruce Sterling NOT COPYRIGHTED Introduction by Lewis Shiner This manual is intended to focus on the special needs of the science fiction workshop. Having an accurate and descriptive critical term for a common SF problem makes it easier to recognize and discuss. This guide is intended to save […]
by David Alexander Smith Theme and meaning. Does the story move us? So we emerge from our fictional journey emotionally engaged, or wiser than we went in? Do we remember the story after we’re done? Along the way, does the story force us to think? Do we re-examine, or see afresh, things we take for […]
by David Alexander Smith Those of us who’ve been in the Cambridge SF Workshop for some time have developed an approach to critiquing that we find serves us well. These principles — our Critiquing Manifesto — help us work together to create the best fiction we can. 1. Why Are We Here? Often workshops founder […]
Tollar has a stolen dragon egg & that’s the least of her problems. When the dragon hatches & imprints on her, she must rely on her anxious neighbour. As threats loom, it will take cooperation & some impressive magic to keep everything they love safe.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
