Issue 203 of the SFWA Bulletin went to the printer this week. It contains articles from members experienced and new, information on SFWA’s opportunities, projects, and activism, and messages from the Board. This issue, guest-edited by Tansy Rayner Roberts, with Jaym Gates as Production Editor, was specially created to be used as an outreach tool for conventions and other events.
In June, the SFWA Board announced the suspension of the SFWA Bulletin, allowing time to update our official publication’s distribution, content, and process. Over the past months, we have surveyed the membership, asking them what they see as the future of the Bulletin.
The Bulletin survey will be sent out to members soon, after extensive internal and task-force analysis. This will be an opportunity for members to express what they want out of the Bulletin.
On the advice of the task force, and with the approval of the board, the president has authorized the following plan:
We could spend a long time here discussing whether the offense was intentional or accidental, or whether it is due to a generational, ideological or perceptual schism. It doesn’t matter. At the end of the day, too many of our members have felt their contributions and their place in the industry and within the organization belittled; too many of our members see other members being treated so.
This article, reprinted from the Bulletin, explores the various aspects of social networking and how a writer can use them to help promote herself.
Linda is a lonely remote worker who confronts digital gaslighting and identity theft when she uncovers a deepfake A.I. persona at her company that no one else recognizes. The conflict escalates to devastating consequences.
Dilman Dila is a writer and filmmaker. His books, Where Rivers Go To Die, was shortlisted for the PKD Awards (2024). He was shortlisted for the BSFA Awards and the Nommo Awards for Best Novella. Watch his scifi films on patreon.com/dilstories
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from June 5-8 in Kansas City, MO.
