by Priya Chand Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. This piece was drafted in pieces, first on a crowded train, and then in a fairly popular café. Five-odd years ago, […]
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Nelly Geraldine García-Rosas Introduction – In Which I Rant a Little First, let me get this off my chest; I don’t believe that reading slush can make anyone a better writer. I say this because anytime a magazine opens applications to add first readers to its team, several folk come out encouraging emerging writers […]
By Ursula Whitcher Writing poetry allows for rapid experimentation with language on a fine scale. Though there’s lots of mystique around being a poet, the key genre expectation is close attention: poetry rewards readers for noticing what’s happening at the level of a page, a phrase, or even a pair of words. But poets don’t […]
By Gideon P. Smith We all have writing dreams, but they often remain dreams without solid productivity goals to turn them into reality. Unfortunately, as with adhering to the Prime Directive or making the Kessel Run in under 12 parsecs, most quickly fail. Many systems have been proposed to help us succeed. SMARTER goals is […]
John Maddox Roberts (25 June 1947 – 23 May 2024), also writing as Mark Ramsay, was a prolific and best-selling science fiction, fantasy, historical, and mystery writer over the course of thirty-five years. He was the author of many novels set in ancient Rome, including Hannibal’s Children and its sequel The Seven Hills, and the […]
by SFWA Publications Crew Independent publishing can feel as daunting as it is empowering. Monthly at the SFWA Blog, THE INDIE FILES has offered tips and insights to help authors taking this route to share their writing with the world. Whether you’re just starting out or an active indie author who feels they need a […]
By Dannye Chase So you’ve got a solid story and a perfect publication. The problem? They don’t quite match up. Have no fear! If you wrote it, you can unwrite it, and then rewrite it for that sweet new market. Before we get started, it’s important to note there are some really good reasons not […]
by Kanishk Tantia The first story I ever wrote was unabashedly my own: written with unfiltered childlike enthusiasm, completed within a single draft and, to my eyes, perfect upon completion. Two donkeys killed each other because one was purple and the other brown, and their bodies blocked a rickety bridge. A nearby settlement relied on […]
by Austin Conrad As advice, “write what you know” is nearly as hackneyed as “show, don’t tell.” Both pieces of advice are essentially correct, but writers hear them so often we don’t really process either recommendation. This is doubly true in speculative fiction. After all, very few of us have ridden on the back of […]
Blacksmith Wystan accidentally breaks off a sliver of Excalibur. It’s magic sends Wystan to present day England where he must fulfill his blood vow to reunite the piece with Excalibur or the rightful heir before the sword and its magic are lost.
Eugen Bacon is an African Australian author. She’s a British Fantasy Award winner, a twice World Fantasy Award finalist, and a finalist in the Shirley Jackson, Philip K. Dick Award, and Nommo Awards for speculative fiction by Africans.
