Over the past couple of days I’ve gotten several emails and Facebook posts alerting me to a blog post by writer Mandy DeGeit about her bad experience with a small publisher called Undead Press.
The Millions provides an overview of this year’s Nebula nominated novels.
The ninth annual Clarion West Write-a-thon is open for participant sign-up now through June 16.
Zooming into my inbox last week: a press release for a brand-new ebook self-publishing service called e-Publishing Revo.
When a character swims across the Arctic Ocean, in a story set a thousand years in the future, what stars might she use to guide her passage westward?
For the first time ever, SFWA will be attending the largest publishing event in North America: BookExpo America (BEA).
& Smell the Coffee-Colored Skin, White Authors!
Which came first—the chicken, the egg, or the egg white omelet—I don’t know. But the discussion glosses over an obvious gap: white authors.
I often receive questions from writers who are looking to hire an independent editor to polish their manuscripts, either for self-publication or for submission to agents and publishers, and want to know whether a particular editor or editing service is reputable.
When it comes to social networking, Pinterest has emerged as a major player. Cat Rambo provides an excellent overview.
Everyone can improve their abilities at almost anything with determination, practice, and coaching.
Most book publishing contracts can be divided into two types: fixed-term, where the grant of rights extends for a defined period of time, such as five years; and life-of-copyright, where the grant of rights extends for the full duration of copyright.
On May 18th, join Connie Willis, SFWA’s newest Grand Master, as she explains that when it comes to writing, tragedy is easy; comedy is the killer.
