by Ira Nayman A few years ago, I was on a panel on Humorous SF at a convention (an occupational hazard, given what I write). I opened with well-rehearsed remarks about how there seemed to be a resistance to my beloved subgenre among major publishers. Before I could get very far, a person in the […]
by Eugen Bacon Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. You have a novel, a novella, a short story in your head—you just need to write it. The muse is humming, […]
by Marie Croke Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. From phones and tablets to computers, we all tend to fall into habits once we turn the power on, whether those […]
by Austin Conrad How do you move forward when stuck on telling a story? Sometimes the best way is to play your story at the gaming table. A roleplaying game’s collaborative creativity is a fun and effective method of discovery “writing” your way through writer’s block. Better yet, this can be used whether you’re writing […]
by Georgina Kamsika Have you ever read something that you knew was incorrect? Sometimes, research has fallen short of convincing people who know better, even though other readers might not notice anything wrong. For those who know, it can be jarring and pull them out of the story. How would you feel if that error […]
By Shawn Proctor Whether you enroll in a writing workshop or writer’s group, there is a premium placed on critique as the main path to improving your craft. Peer writers working on the same elements of character, plot, voice, and pacing are excellent partners for highlighting a story’s foibles and fumbles and offering suggestions to […]
By Austin Conrad Writing in the genre of tabletop games has a lot of similarities to fiction writing when it comes to character, plot, and setting. However, the needs of interactive fiction require the adventure game writer to adapt how they approach narrative structure and typographical presentation. To understand how these two creative endeavors differ, […]
By Holly Henderson As much as science fiction and fantasy writers love wandering the vast worlds that exist in our imaginations, the journey there can be difficult when we have the weight of daily life to carry with us. Forge a shortcut by creating a writing ambience that’s custom-made for your story. Getting all your […]
By Ursula Whitcher My first fictional love was tabletop role-playing games, from Dungeons & Dragons and ’90s classics like Vampire: The Masquerade to indie hits such as Visigoths vs. Mall Goths. After all that gaming, I thought I knew how to tell stories. But when I began trying to write and sell short fiction, I […]
By Gareth L. Powell In 2020, I had the privilege of cowriting a science fiction novella called Light Chaser with Peter F. Hamilton, author of more than twenty novels, including The Reality Dysfunction, Pandora’s Star, and Salvation. If I had to break down the lessons I learned during this process into five key points, they […]
A mysterious platform appears off the South American coast overnight. Science journalist and popular TV host Sahalie Spark is sure it’s no oil rig. It’s the world’s first space elevator, and despite dangers she’s about to make the first ascent.
Martin Cahill has published short fiction in numerous venues and currently works at Erewhon Books, lives just outside New York City. Visit him on the web at https://martintcahill.wordpress.com/.
