by KJ Kabza
A legitimate publisher approaching an author, rather than the other way around, is both very flattering and very rare. But because of its rarity, the experience had a downside: I had been convinced it could never happen to me, so I was not ready in case it did.
by John Walters
When we experience setbacks as writers, especially one after the other seemingly with no end in sight, how do we keep from becoming overwhelmed with despair? Here are a few things that work for me that I hope you find helpful.
by Stephen Sottong
One of the problems when writing any SF story is keeping the technology reasonable enough that the reader can suspend their disbelief and focus on the story rather than being rudely pulled from the plot by preposterous violations of the laws of nature.
News from Odyssey Writing Workshops Charitable Trust.
by Clay Johnson
I’ve never been good at outlining before I write. If I know where the story is going, then the fun part is already done, and the writing becomes a chore. But this new thing, where I tell her a chapter, then think on it, smooth out the edges, and write it down, forced me into a mid-range style of outlining that really works for me.
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Douglas Phillips
Sometimes, we get dragged into legal battles whether we like it or not. This happened to me, and I want to be sure every author hears the story, because it could happen to you too.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Paul Jessup
Monsters and genre fiction go hand in hand. Or rather, claw in claw, if we’re being cheeky about it. From the mad science creations and aliens of science fiction, to the supernatural and mythic of fantasy and horror, there are monsters everywhere, even from the very start.
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
A millennium ago, Mikael tried to confess his love to Adecca and trapped them in eternal sleep instead. Now Adecca wakes in a steam-powered future bereft of magic and must discover why—and what Mikael’s feelings mean for their friendship.
Mary G. Thompson is the acclaimed author of Flicker and Mist, Wuftoom, and Amy Chelsea Stacie Dee, which was the winner of the Westchester Fiction Award and a finalist for the Missouri Gateway Award. Thompson’s short fiction has appeared in Dark Matt
