Guest Post: Trailers and Tribulations
With the rapid rise of eBooks, the membrane between the printed word and the digital world is getting thinner every day.
Information Center, The SFWA Blog
Information Center
Information Center, The SFWA BlogGuest Post: 25 Reasons Readers Will
Guest Post: 25 Reasons Readers Will
Keep Reading Your Story
A good story should always be raising questions — not asking them directly, but instead forcing the reader to ask them. “Wait, what’s that weird symbol they keep seeing on the walls? What was that sound? Something’s up with that top hat-wearing fox that keeps following them, too.
Information Center, The SFWA Blog
Guest Post: Book Publicity: Working with Bookstores
If you do set up an event at a store, it may sound obvious, but an author promoting their event on their own Facebook and twitter helps out a lot. We have our own ways to publicize an event to our customers, and we have our events listed in the newspaper weekly, but the more an author can say, “I’m going to be in this city, on this day,” the better our event turnout is going to be.
Information Center, The SFWA Blog
Guest Post: Debut Author Lessons–How to deal with self-promotion and award season
Let’s talk about self-promotion and how it feels icky.
Yes, self-promotion is awkward to do the first time. Yes, it is very easy to do badly. But–it is incredibly important to your career. Someone asked, “Isn’t it enough to write a good story?”
No.
Information Center, The SFWA BlogGuest Post: How I Went From Writing
Guest Post: How I Went From Writing
2,000 Words a Day to 10,000 Words a Day
When I told people at ConCarolinas that I’d gone from writing 2k to 10k per day, I got a huge response. Everyone wanted to know how I’d done it, and I finally got so sick of telling the same story over and over again that I decided to write it down here.
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Subject: Hello from your Publicist
Today, when the dominant form of communication is email, it’s easy to go through your publicity campaign without ever hearing your publicist’s voice. This would be a mistake.
Information Center, The SFWA BlogGuest Post: Having a Saleable Novel
Guest Post: Having a Saleable Novel
Doesn’t Make You a Sell-out
So let’s get back to that whole laughing at work-for-hire authors or trashing popular books or not understanding what a saleable novel is.
Information Center, The SFWA Blog
Guest Post: Novelists, Inc., Conference Report
According to Carolyn’s research, aided by Google, there are about 288,355 books published every year by traditional publishers. Current estimates anticipate 800,000 books will be self-published this year. So how do you make your book stand out among literally a million titles?
Information Center, The SFWA BlogGuest Post: A Writer’s Crash Guide to
Guest Post: A Writer’s Crash Guide to
Recent Social Media Changes–Google+
A couple of days ago I covered Facebook’s new direction, including both the potential large upside for writers and the accompanying privacy concerns. But what about Google+?
Information Center, The SFWA BlogGuest Post: A Writer’s Crash Guide to
Guest Post: A Writer’s Crash Guide to
Recent Social Media Changes—Facebook
Honestly, it is difficult (although not impossible) to avoid strategies that don’t incorporate Facebook in some way, either through a personal account or through Facebook Pages, at least not for writers who have at least one novel published. Once you have fans, Facebook becomes logical since it has the largest user base, therefore making it much more convenient as a way for people to find you.
Contracts and Copyrights, The SFWA Blog, Writer Beware
Guest Blog Post: Fitzhenry and Whiteside–Writer Beware
Today’s guest post by multi-published author Doranna Durgin is about a publisher behaving badly.
More than that, however, it highlights something that every writer signing a publishing contract needs to be aware of: the importance of reversion clauses…
Information Center, The SFWA Blog
Guest Post: Beyond the First Two Pages
The logistics of slush piles demand ruthlessness, and stories that don’t intrigue the reader early on won’t get a second chance later. So, you’ve got your hook. It’s dramatic, it’s ingenious, and it’s free of typos. Your first two pages have been polished to near oblivion. Now what?