Submission Tetris: An Analytic Approach
by Laurence Raphael Brothers Introduction Short fiction submissions can be challenging. There are many factors to juggle in deciding what […]
by Laurence Raphael Brothers Introduction Short fiction submissions can be challenging. There are many factors to juggle in deciding what […]
by Jeffe Kennedy As part of the writing and reading community, we all end up recommending books. Sometimes we stumble
By L. D. Lewis (This article originally appeared in The SFWA Bulletin #214.) In much the way too many crows
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any market in the report below
Science Fiction and Fantasy Writers of America (SFWA) is extremely pleased that the U.S. Copyright Office has issued a new
by J. Scott Coatsworth This article continues J. Scott Coatsworth’s interviews and compilation of information examining how SF/F magazines are
by J. Scott Coatsworth I was in the annual SFWA business meeting a few weeks ago when someone asked how
Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.
by Leanna Renee Hieber
I’m often asked if my professional theatre and playwrighting background helps me as a fiction writer. It does in countless ways. Theatrical form, training and structure are holistically integrated into how I see the world and operate as a storyteller.
“We give lip service to acceptance, as though acceptance were enough.” ― Octavia E. Butler, Parable of the Sower People ask