Welcome to the August edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Michael Capobianco Editor’s note: This piece is the first in a two-part overview of the first year of SFWA, curated by a member of the organization’s History Committee. Part 2 is available here. On January 15, 1965, Damon Knight, a well-known author, critic, and co-founder of the Milford Conference writer’s workshop, sent an announcement […]
by Marie Croke Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. From phones and tablets to computers, we all tend to fall into habits once we turn the power on, whether those […]
by Austin Conrad How do you move forward when stuck on telling a story? Sometimes the best way is to play your story at the gaming table. A roleplaying game’s collaborative creativity is a fun and effective method of discovery “writing” your way through writer’s block. Better yet, this can be used whether you’re writing […]
by Priya Chand Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. This piece was drafted in pieces, first on a crowded train, and then in a fairly popular café. Five-odd years ago, […]
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Nelly Geraldine García-Rosas Introduction – In Which I Rant a Little First, let me get this off my chest; I don’t believe that reading slush can make anyone a better writer. I say this because anytime a magazine opens applications to add first readers to its team, several folk come out encouraging emerging writers […]
By Ursula Whitcher Writing poetry allows for rapid experimentation with language on a fine scale. Though there’s lots of mystique around being a poet, the key genre expectation is close attention: poetry rewards readers for noticing what’s happening at the level of a page, a phrase, or even a pair of words. But poets don’t […]
By Gideon P. Smith We all have writing dreams, but they often remain dreams without solid productivity goals to turn them into reality. Unfortunately, as with adhering to the Prime Directive or making the Kessel Run in under 12 parsecs, most quickly fail. Many systems have been proposed to help us succeed. SMARTER goals is […]
John Maddox Roberts (25 June 1947 – 23 May 2024), also writing as Mark Ramsay, was a prolific and best-selling science fiction, fantasy, historical, and mystery writer over the course of thirty-five years. He was the author of many novels set in ancient Rome, including Hannibal’s Children and its sequel The Seven Hills, and the […]
Linda is a lonely remote worker who confronts digital gaslighting and identity theft when she uncovers a deepfake A.I. persona at her company that no one else recognizes. The conflict escalates to devastating consequences.
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
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