by N. R. M. Roshak Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. My laptop is my mainstay. Between online-only submissions and Track Changes-dependent editorial processes, it’s hard to imagine being a […]
by Yoon Ha Lee When I was a kid in the 1980s and 1990s, I adored classical mythology, Arthurian mythology, the Cthulhu mythos. I was the weirdo who holed up in the library reading Tacitus, Plato, and Sylvia Plath for fun. I had ambitions of writing science fiction and fantasy. Yet the science fiction and […]
by Michael Capobianco Editor’s note: This piece is the second in a two-part overview of the first year of SFWA, curated by a member of the organization’s History Committee. Part 1 is available here. Damon Knight was now president of SFWA, Editor/Writer/Publisher of the Bulletin, and chair of a one-person Contracts Committee/Griefcom. It was at […]
Welcome to the August edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Michael Capobianco Editor’s note: This piece is the first in a two-part overview of the first year of SFWA, curated by a member of the organization’s History Committee. Part 2 is available here. On January 15, 1965, Damon Knight, a well-known author, critic, and co-founder of the Milford Conference writer’s workshop, sent an announcement […]
by Marie Croke Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. From phones and tablets to computers, we all tend to fall into habits once we turn the power on, whether those […]
by Austin Conrad How do you move forward when stuck on telling a story? Sometimes the best way is to play your story at the gaming table. A roleplaying game’s collaborative creativity is a fun and effective method of discovery “writing” your way through writer’s block. Better yet, this can be used whether you’re writing […]
by Priya Chand Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. This piece was drafted in pieces, first on a crowded train, and then in a fairly popular café. Five-odd years ago, […]
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Nelly Geraldine García-Rosas Introduction – In Which I Rant a Little First, let me get this off my chest; I don’t believe that reading slush can make anyone a better writer. I say this because anytime a magazine opens applications to add first readers to its team, several folk come out encouraging emerging writers […]
Practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. Many examples in this book are drawn from speculative fiction genres.
Martin Cahill has published short fiction in numerous venues and currently works at Erewhon Books, lives just outside New York City. Visit him on the web at https://martintcahill.wordpress.com/.
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