Online Workshops Critique Circle is an online writing workshop for writers of all genres. It has both free and paid memberships and is populated by aspiring writers. (Note: SFWA does not endorse paid writer services.) Critters Workshop is an on-line workshop/critique group for serious Science Fiction/Fantasy/Horror writers. Several thousand members, from aspiring to award-winning pro, with a friendly atmosphere […]
by James Patrick Kelly © 1988 by James Patrick Kelly, First published in The Bulletin of The Science Fiction Writers of America You don’t believe in writers’ workshops — never have. Maybe you had a bad experience in college. Some reedy creative writing type sneered at sci-fi and said you probably ought to think about […]
Edited by Lewis Shiner Second Edition by Bruce Sterling NOT COPYRIGHTED Introduction by Lewis Shiner This manual is intended to focus on the special needs of the science fiction workshop. Having an accurate and descriptive critical term for a common SF problem makes it easier to recognize and discuss. This guide is intended to save […]
by David Alexander Smith Theme and meaning. Does the story move us? So we emerge from our fictional journey emotionally engaged, or wiser than we went in? Do we remember the story after we’re done? Along the way, does the story force us to think? Do we re-examine, or see afresh, things we take for […]
by David Alexander Smith Those of us who’ve been in the Cambridge SF Workshop for some time have developed an approach to critiquing that we find serves us well. These principles — our Critiquing Manifesto — help us work together to create the best fiction we can. 1. Why Are We Here? Often workshops founder […]
by David Smith This is only a partial list of the terms we have found most useful in critiquing sf. The glossary is issued now and then … but it is a living document. Amendments are welcome. If you use additional terms, or have better examples than those listed here, please suggest them. Action outline […]
Article by Elizabeth Moon on advice for novice writers. Novice writers have to take some responsibility for their own careers. The good information is NOT that hard to find. The novices who don’t find it–and don’t find it repeatedly–are resisting the truth.
Wu Ying has defeated the tyrant of Cai but at a terrible cost. With his body broken and cultivation shattered, he must rebuild from nothing. To survive, he must retrace his path and uncover his true destiny in the epic finale of A Thousand Li.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
