by Clay Johnson
I’ve never been good at outlining before I write. If I know where the story is going, then the fun part is already done, and the writing becomes a chore. But this new thing, where I tell her a chapter, then think on it, smooth out the edges, and write it down, forced me into a mid-range style of outlining that really works for me.
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
by Gargi Mehra
Writing when you’re in full flow is like living a dream. Who doesn’t love that feeling when the words spill out faster than you can type them? If you’re old school, the scratch of the pen as it flies over the pages struggles to keep pace with your thoughts.
The reverse scenario keeps writers awake at night.
by John Walters
I am a hybrid author, which means that I self-publish books and also publish short stories in traditional venues. Last night I was engaged in what I call marketing. Several of my stories had come back unsold from magazines and anthologies, and rather than having them sit around, I wanted to send them back out to other possible markets.
by K. C. Norton
For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.
By Michael Michel
Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.
by Sandra M. Odell
I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.
From the award-winning author of DEAD SOULS and POE comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman’s past and future.
Laura Anne Gilman is the Nebula-nominated author of the Vineart War trilogy, the “Cosa Nostradamus” urban fantasy series, and a few other works, including the occasional short story. Under the name L.A. Kornetsky, she also writes mysteries.
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