Planetside Full Archives

by Corrine A. Kumar Fight scenes aren’t just about fighting. While writing technically accurate and action-packed fight scenes is important, if we don’t keep the focus on our characters and our worlds, readers will just skim past them. Fight scenes…

by Albert Zhang Science fiction is often much more concerned about the physical than the organizational reality of a setting (and that’s understandable). But a good fundamental economic story can facilitate plot development and lend realism to a setting. To…

by the SFWA Publications Crew In recent years, The SFWA Blog has undergone many changes and refinements to serve its community better. Where we once had a single editor, we’re now a team that reviews pitches collectively and looks for…

by Ira Nayman Early in my short-story writing career, I received a delightful email from an anthology editor who had accepted one of my works. “The hard part is over,” she wrote. “Your story has been accepted. Compared to this,…

by Aaron H. Arm Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. There’s an adage that people like…

Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. Translation is always a…

by Elena Kovalenko Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. If…

by Libby Schultz The future of digital currencies offers science fiction writers a unique opportunity to enhance their worlds. As a fintech founder and entrepreneur in the crypto industry, I navigate these topics daily alongside regulators, innovators, and organizations. Related…

by Jeremy Zentner Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Fifty million dead, continents in ashes, and…

by Carrie Finch Editor’s note: This piece is part of a series titled Writing by Other Means, where authors share personal experiences and industry intel around different production contexts and writing tools. Painters have brush and canvas. Dancers have mirrors…

by Samuel Poots Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. In 2009, I met my hero. I…

by Marie Croke Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. As speculative fiction authors, we twist and…

by Anneke Schwob Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. I’ve spent a lot of time in…

by Austin Conrad Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Online media is my preferred starting point…

by Eugen Bacon Editor’s note: This piece is part of a series titled Writing by Other Means, where authors share personal experiences and industry intel around different production contexts and writing tools. You have a novel, a novella, a short…

by John Ryan Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. When you hear about narrative in video games, positions such as writers and narrative designers might be the first roles…

by Austin Conrad Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Tabletop role-playing games (TTRPGs) are built from basically two elements: game mechanics and narrative. Unlike video games, TTRPGs strongly focus…

by Marie Vibbert Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Every three months, the Cleveland Game Developers host a Play Test Night for our members.  Last time, I got to…

by Will McDermott Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. Writing narrative content for board games is different from any other writing I’ve ever done. It’s even different than writing…

A quark (/kwɔːrk, kwɑːrk/) is a type of elementary particle and a fundamental constituent of matter. In an effort to maintain transparency and foster communications with all members of the SFF community and the public, SFWA would like to introduce…

by Emily Jiang AN INTRODUCTION OF SORTS: To Boldly Go Where I Have Never Gone Before “We often fear what we do not understand. Our best defense is knowledge.” –Tuvok Over 15 years ago, when I enrolled in an MFA…

by John Dale Beety Editor’s note: This piece is part of our Playtesting Game Narratives series, curated by SFWA’s Game Writing Committee. In science fiction and fantasy (SFF) terms, game writing is exactly what it sounds like: writing for games. Calling…

by Jeff Reynolds A game we authors enjoy is “discuss how the short story market used to pay so well you could make a living from it.” When the topic appeared again recently, I wondered: Is there any truth to…

by Misha Grifka Wander When I teach video game analysis to college students, I sometimes tell them that they’re going to make their own games—and their eyes glaze over in panic, thinking of the intense production requirements of a video…