by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
Welcome to the beta of SFWA’s Professional Education program. The world of creating science fiction and fantasy has changed drastically
by Kate Baker “Why SFWA®?” and “What can it do for me?” These two questions have stumped many a SFWA
by Kate Baker
“Why SFWA?” and “What can it do for me?” These two questions have stumped many a SFWA board member, volunteer, and employee throughout our existence. The typical answer had always been, “Bragging rights and oh, the emergency medical fund.” While those two things are definitely beneficial, I’m here to tell you that the Science Fiction and Fantasy Writers of America is so much more.
The Internet Archive (Archive.org) is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights.
Beginning this year, bestselling author George R. R. Martin is funding a scholarship for an Odyssey student. The Miskatonic Scholarship will be awarded to a promising writer of Lovecraftian cosmic horror.
by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
The Odyssey Writing Workshops Charitable Trust, a 501(c)(3) nonprofit known for offering some of the best programs in the world for writers of fantasy, science fiction, and horror, is offering three live, intensive online classes this winter.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
As part of a Twitter conversation, one of my favorite gamewriters, Ken St. Andre, suggested I write up something about SFWA and independent writers that goes into enough detail that people can understand why — or why not — they might want to join. This is part one of a multi-part series that will talk about some of the history behind the decision, and in this first part I want to talk about the organization prior to admitting independent writers.
