by Cat Rambo
So this morning one of the items that’s been hovering in the wings for a couple of weeks now finally went out, which was the announcement of the game writing qualifications. Since there there’s been a lot of stir and some questions about it. So here’s some answers.
by Mary Rosenblum
So you can publish on Amazon.com, but if you’re successful they’ll yank your book? What kind of catch 22 is this? Ah, oh yes, all you authors who are trading reviews? Amazon.com, according to that helpful associate Brad spoke to, is ‘looking at’ Goodreads, too. Their own company! They’re looking at authors who connect up to swap reviews… If most of your reviews come from other authors, you might want to think about this.
by Sylvia Spruck Wrigley
As a science fiction writer, I’m always on the lookout for cutting edge technologies that might spark an idea for a story. This time, an initiative called Project Scarlet Eagle came looking for me. At first it was all hush-hush, but now I have permission to tell you everything[1].
by K. Tempest Bradford
I use the Diigo Outliner, a versatile online tool that I recommend to teachers and writers who want to arrange collections of links and text in an easy to scan and understand way.
Info about the organization’s new member experience, game writer criteria, the state of SFWA finances, volunteer opportunities, Worldcon plans, the 2017 Nebulas, awards for anthologies, what they’re reading, and more.
by Aidan Doyle
Text expansion tools are a way to save time by using shortcuts for text you commonly type. For example, on my computer I type -em and it’s automatically replaced by my email address. When submitting short stories I have a standard cover letter template. I type -pubs and modify the template according to the market. If you’re an editor sending many similar emails, text expansion tools can save you a lot of time.
by Kate Heartfield
A few distinct kinds of reading come with the job of being a writer: research, market research, reading for awards ballots and contest juries, reading for sheer pleasure.
And then there’s beta reading or critiquing.
The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways.
by Curtis C. Chen
Okay. You wrote a novel. That was the easy part.
Now you need to write a synopsis.
by Theodora Goss
I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.
It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.
