by Deborah Walker Ideas for my stories come to me in museums, in galleries, in libraries. Find me upstairs (and it’s always quieter upstairs) in the British Museum trawling the past looking for future inspiration. Old books, paintings, objects are part of our material heritage. Survivors of the ravages of times, sometimes cherished throughout the […]
To talk about this, I need to talk about the scariest thing that ever happened to me. Bear with me.
In 1999, I was driving on the New Jersey Turnpike. The car behind me tapped my bumper, sending me fishtailing across several lanes, and under a trailer truck, which sheared the roof off the car.
The Baltimore Science Fiction Society (BSFS) is proud to announce the beginning of a series of day long writing workshops run by active and acclaimed professional writers in the genre of science fiction and fantasy. The first will be on Saturday, August 25th at 10 AM at BSFS headquarters at 3310 East Baltimore Street in Baltimore, Maryland, and will be taught by Brenda Clough.
Graduation season has come and gone, but we’ve seen lots of great commencement speeches around, from Neil Gaiman’s to Aaron Sorkin’s. They made me mildly nostalgic.
An outline is a roadmap. It helps you decide the overall shape of the novel. It does not lock you into that structure if you stumble upon something interesting.
Ken Burns, one of the world’s most recognized filmmakers, shares his personal connection, his “waking of the dead,” as he discusses the craft of storytelling in this short documentary.
If you love SF and want to persuade school administrators that teaching science fiction is important, then: The Teaching With Science Fiction Workshop is just what you’re looking for!
The ninth annual Clarion West Write-a-thon is open for participant sign-up now through June 16.
& Smell the Coffee-Colored Skin, White Authors!
Which came first—the chicken, the egg, or the egg white omelet—I don’t know. But the discussion glosses over an obvious gap: white authors.
My personal preference is for what I’ve called third-order answers. A lot of mysteries have an obvious culprit, and then a character who is, if you know your narrative conventions, the obvious alternative to the obvious culprit. I like mysteries that go one step further.
This sweeping urban fantasy explores what it means to be human in a world where humanity itself may be optional, where ancient gods run pawn shops, and where the difference between monster and hero often depends on which side of the story you’re telling.
Auston Habershaw is a science fiction and fantasy author, writing about the could-be and never-was, and also teaches composition and literature at MCPHS University in Boston, MA.
